Blu and Exile - "Simply Amazin'/Soul Rising"
I can't stress enough how dope Blu & Exile's 2007 Below The Heavens is. I've been listening to this album again for the past two days. This track is another gem off the album, which finds Blu battle rapping like a mofo over a soulful beat from Exile. In my Best of 2007 recap I said this album reminded me of Little Brother with a SoCal twist and this is a perfect example. "This game is full of homo's backwards/Mo ho's than rappers." Blu is killin' it with that shit!
Wednesday, August 31, 2011
Tuesday, August 30, 2011
The Best Hip-Hop Songs & Albums: 2007
2007 seemed like a down year to me. Admittedly I was a little out of touch with new music in ’07 since I moved and had to find work and all that good shit, but I don’t remember it being a real banner year in hip-hop. There was the 50 Cent vs. Kanye West album release date competition to see who would sell more copies. Not surprisingly Kanye won that battle and 50 was supposed to retire as a result, but of course didn’t. But even that “battle” didn’t do much to strike my interest as 50’s Curtis wasn’t even worth remembering.
After further review, there were some really quality songs that dropped in ’07 and a few terrific albums. The year as a whole left a little to be desired, but it definitely had some highlights throughout the year.
Let’s take a closer look at the Best of 2007….
Best Songs
20. “Hostile Gospel Pt. 1 (Deliver Us)” – Talib Kweli
Just Blaze brings a banger for Talib to spit over and of course Kweli doesn’t let the platform go to waste as he spits jewels about society, hip-hop culture and the like. Verse 3 has my favorite lyrics on the song as Talib drops, “The black kids wishin’ they white kids/When they close they eye lids/Like, ‘I bet they neighborhood ain’t like this’/White kids wishin’ they black kids/Wanna talk like rappers/It’s all backwards/It’s identity crisis.”
19. “It’s Over” – Freeway
Free gets loose over a Jake One beat. The Philly Freeza talks about not getting production from Just Blaze or Kanye anymore, but this proved to set the tone for a wonderful relationship with Jake One. Free starts the second verse with a nod to Jay-Z’s “Heart of the City,” as he references Dame and Jay’s breakup, as well as Dr. Dre’s “The Watcher” as he opens up the third verse.
18. “What A Job” – Devin The Dude feat. Snoop Dogg & Andre 3000
Great look at the struggles, pitfalls and passion of being a hip-hop artist. Devin is able to mix his love of weed with his love of making music, which Snoop has no problem relating to. But it’s Andre 3000 that steals the show, as should be expected, discussing bootleggers as well as how people relate to his music.
17. “Breakin’ My Heart” – Little Brother feat. Lil Wayne
I love the sample 9th Wonder used on this one. While Pooh and Phone reached out to !llmind, Khrysis, Mr. Porter, Hi-Tek and Nottz among others for production duties for Getback, it’s 9th that delivers the gem of the album. Phonte’s verse is one of my favorites of the year, as he discusses his parents relationship from his mother’s perspective, “I ain’t saying that it’s right/But we often pay the price/Because a woman’s life is love/A man’s love is life.”
16. “Da Art of Storytelling 4” – DJ Drama feat. Outkast & Marsha Ambrosius
Off of DJ Drama’s album, Andre 3000 and Big Boi come back on the mic for some straight up hip-hop. 3000 had a huge year on the mic in ’07. This song sounds like it could’ve been on Aquemini. I didn’t love the hook, but ‘Kast sound so fresh back together that it didn’t matter.
15. “Surviving The Times” – Nas
Nas gives us a great insight into his career and what it took to finally get his due. He discusses labels not having room for him and Def Jam taking a pass on him because he sounded too much like Kool G. Rap. Hey Russell, why would that be a bad thing? MC Serch took him on and got him a deal on Columbia and the rest is history. To top it all off, the song is produced by Chris Webber. Yes, THAT Chris Webber.
14. “Hip-Hop (Remix)” – Joell Ortiz feat. Jadakiss & Saigon
When I said I was out of touch with music in ’07, Joell Ortiz is the perfect example of that statement. Now that Slaughterhouse has formed, Ortiz has become a must hear artist for me. But I didn’t take the time to listen to his debut, The Brick: Bodega Chronicles. I did hear the lead single, “Hip-Hop,” and then this tremendous remix with guest vocals from Jadakiss and Saigon. Real lyricism all over this track.
13. “Campfire” – Wu-Tang Clan
This song is that old grimy Wu shit. Meth is a beast to open the track over one of RZA’s best beats in years. Ghostface slides right in and snatches the mic from Meth in grand fashion. The kung-fu samples are back, the soul vocals are there and all three MCs match the rawness of the production RZA provides. Great way to open 8 Diagrams.
12. “Superstar” – Lupe Fiasco feat. Matthew Santos
There were plenty of great songs to pick from off Lupe’s The Cool, but the lead single “Superstar” has to be the choice. It’s a look at life in the spotlight and deals with the insecurities Lupe faces as he becomes a household name. The song won over the commercial audience without being mainstream or selling out. It’s a great showcase at just how good Lupe is as a song writer.
11. “Walking Away” – Brother Ali
Was going to pick “Take Me Home” but there’s just something so personal and deep about this track that I couldn’t ignore it. This is Ali’s farewell to his ex-lover as he describes the collapse of their relationship, including an attempt on his life. Over a minimalist beat and some whistling, Ali describes the broken love with, “Fresh out of forced tears, kisses and hugs/You about to lose the company your misery loves,” and “If I’m such a bastard and mistreated you so/Then how’s it your losing your mind to see my go?”
10. “We Takin’ Over” – DJ Khaled feat. Akon, T.I., Rick Ross, Fat Joe, Baby & Lil Wayne
There are so many reasons I should hate this song, and when it first came out I tried to, but I love this song. At the time I wasn’t a T.I. fan, not a Rick Ross fan, had gotten tired of the “What’s Love” commercial sounding Joey Crack and had no place for Baby or Lil Wayne. But Tip gets this song off to a great start and Wayne slays it at the end to wrap up one of the best posse cuts of 2007. Now in 2011, I’m a fan of T.I., I’ve actually bought a Rick Ross album, Fat Joe got back to his old self in a big way on The Darkside and I’ve learned to appreciate Wayne (although I still can’t get on board with anyone saying he’s the best rapper alive. Not even close!)
9. “Yolanda’s House” – Ghostface Killah feat. Method Man and Raekwon
This is a brilliant narrative by three members of the Wu. Ghost is on the run from the cops when he runs into Meth, who just happens to be going raw dog with his girl. The exchange between the two is fantastic, as they both paint unbelievably vivid pictures with their lyrics as Ghost spits, “So I slid, hid behind the wall, opened the door/Like ‘ooohhh,’ I seen my man Meth goin’ in raw/So he jumped up balls out, I hid in the closet/I’m dyin’ laughin’, he said, ‘Yo Starks, be quiet.’” Meth jumps right in from there and continues, “Can’t believe you blowin’ the spot lord/My chick is buggin’, she trippin’/My dick keep slippin’ out my boxer drawers.”
8. “So(ul) Amazin’” – Blu & Exile
The beat on this track is tremendous. One of the best of the year, without a doubt. I had heard good things about Blu, but this was my formal introduction to him as an MC and I couldn’t have been more impressed. He has complete control over Exile’s top notch production, creating an MC/producer pair that would make Pete Rock & CL Smooth smile.
7. “The People” – Common
This shit is an absolute banger. Common goes for broke over a soulful Kanye beat. The hook is absolutely tremendous as Com spits, “This is street radio/For unsung heroes/Ridin’ in the Regal/Tryin’ to stay legal/My daughter found Nemo/I found the new Primo/Yeah, you know how we do, we do it for the people.” After Be and Finding Forever, it was reasonable to compare Kanye as the Premier to Common’s Guru and this is the perfect example.
6. “Gutted” – Beanie Sigel feat. Jay-Z
Beans and Hov get back together with a vengeance on this track. The two break down wannabe ballers and shady women over a banging beat from Reefa. Beans’ second verse is tremendous, but it’s Jay’s verse that is my favorite on the song. “You’re salary is like celery/Eatin’ over here, nigga, you’re like salad to me/Get your weight up/Get your steak up/Those little acres, get your estate up.”
5. “Stop, Look & Listen” – Statik Selektak feat. Styles P., Termanology & Q-Tip
Two artists that I was able to discover in ’07 were Statik Selektah and Termanology. I didn’t have any prior knowledge of the Boston producer and MC, which in 2011 seems crazy since they’re everywhere now. But this was a great way to get familiar with both of them, as Statik brings hip-hop gold on the track and Term holds his own with two heavyweights. Of course the real gem here is Q-Tip’s verse. It was so fresh to hear him rhyme on a track again and he didn’t disappoint.
4. “Int’l Players Anthem (I Choose You)” – UGK feat. Outkast
It was a big year for Outkast without them putting out an album. Nothing made me happier than hearing Andre 3000 and Big Boi rhyming on the same track again as Houston’s finest Bun B and Pimp C got the ATLiens to join them for one of the smoothest tracks of the year. Andre 3000 is the show stealer here, spittin’, “I typed a text to girl I used to see/Sayin’ that I chose this cutie pie with whom I wanna be/And I apologize if this message gets you down/Then I CC’d every girl I’d see see round town.” But all four MCs come correct on this one.
3. “Roc Boys (And The Winner Is…)” – Jay-Z
The fact that Kanye didn’t produce this track was a huge surprise to me. It was a celebratory anthem, with horns, backup vocals (including ‘Ye) and the soul sound of something off The Blueprint or Late Registration. But it was Diddy, Sean C & LV that produced the song and it’s one of the best party songs in a long time. This song makes you feel like you’re part of a big event, even if you’re just driving to work. It’s one of Jay’s finest singles and that’s saying something.
2. “I Get Money” – 50 Cent
This may end up being the last 50 song that I’ll love. It’s sad to think that only a few years earlier he had put out a hip-hop classic. But with each album, 50’s appeal faded more and more for me and Curtis was the last straw for me. I didn’t even bother buying Before I Self Destruct. The “Candy Shop,” “Amusement Park” and “Baby By Me” bullshit made me hit the kill switch on 50’s music. But “I Get Money” was, is and always will be a home run from 50. I love the Audio Two sample, I love the stripped down, rawness of the production and although 50 is pretty much just bragging about how much money he has, his swagger makes the song effective. Bring it back to this Fif!
1. “Can’t Tell Me Nothing” – Kanye West
Of all the songs to serve as the lead single off Graduation, Kanye made the absolute right choice with “Can’t Tell Me Nothing.” While “Stronger” would go on to have better commercial success and “Good Life” took home a Grammy for Best Rap Song, beating out “Can’t Tell Me Nothing,” Kanye chose a single that would bring a serious side out of him and show pure passion on the mic. The beat is slowed down, almost haunting, but every time I hear it I reach for the volume button to crank it up. It takes me back to hearing “Through The Wire” for the first time and gets my head nodding immediately. Kanye opens the song with one of my favorite lines, “I had a dream I could buy my way to Heaven/When I awoke I spent that on a necklace,” before delivering the humbling line, “I feel the pressure, under more scrutiny/And what I do? Act more stupidly.” It’s a moment of vulnerability from an artist that is widely regarded as one of the most brash and conceited in the industry. No matter how you see him, it’s more tremendous music from one of the best in the game.
Best Albums
10. None Shall Pass – Aesop Rock
After the incredible Labor Days, I was really excited for Bazooka Tooth. But that album was a bit of a letdown for me. Labor Days had a heavy dose of beats from Blockhead who brings out the best in Aesop and that’s where Bazooka Tooth missed, as most of the production was handled by Aesop himself. It’s not that Aesop’s production is bad, but it’s kind of like Eminem. Would you rather hear an Eminem album produced entirely by Em, or an Eminem album produced by Dr. Dre? That’s the same way I feel about Aesop’s production. For 2007’s None Shall Pass, Aesop handed things back over to Blockhead, who produced more than half the album, and allowed El-P and Rob Sonic to add their touches to deliver another solid LP. There’s never reason to question whether Aesop will bring it lyrically, but I was glad to hear him over great production.
9. Eardrum – Talib Kweli
A lot of great music on this disc, as Kweli tapped some of the best producers in the game (Madlib, Just Blaze, Pete Rock & Hi-Tek) and brought a variety of sounds instead of sticking with the same formula of straight underground New York hip-hop. Don’t get me wrong, I love straight underground East Coast hip-hop, but it was fresh to hear Kweli rhyming alongside artists like UGK for the Southern influenced “Country Cousins” and to give a nod to the West with “Go With Us” featuring Strong Arm Steady. Then there’s the great East Coast hip-hop that we expect from Talib with “Hostile Gospel Pt. 1,” the Pete Rock produced “Holy Moly” and the bangin’ “Listen!!!” Kanye stops by for the smooth, jazzy “In the Mood” and Norah Jones, of all people, brings the perfect voice for “Soon The New Day.” It’s a buffet of sounds and it’s all genuine hip-hop. The only real miss for me was “Hot Thing” featuring will.i.am. It just didn’t fit Kweli’s style.
8. 8 Diagrams – Wu-Tang Clan
Nothing gets me more excited than a new Wu-Tang album. Of course I’m always in for a disappointment since nothing will ever live up to Enter The 36 Chambers, but this group is responsible for so many amazing hip-hop songs, a handful of classic albums and some of the best chemistry from some of the best lyricists ever along with one of the greatest producers to ever do it. This album stirred up controversy among the Clan as Ghostface and Raekwon were not exactly thrilled with the direction RZA was taking the music. The rift did make me a little worried about the album, but Ghostface is on point throughout the whole album and there are moments that feel like vintage Wu. This disc starts with fire as “Campfire” kicks off the album in classic Wu-Tang style. “Take It Back,” “Get Them Out Ya Way Pa,” and “Rushing Elephants” all keep it moving, while the George Clinton assisted “Wolves” is another of my favorites. The second half of the album does fall a little short, with tracks like “Starter,” but the album ends with the heartfelt ode to Ol’ Dirty Bastard on “Life Changes.” It’s not their best effort, but it’s still a solid contribution to the Wu catalog.
7. The Big Doe Rehab – Ghostface Killah
Another solid album from Ghost, what else is new? The dude is one of the most consistent MCs ever when it comes to releasing quality music. “Toney Sigel” with Beanie Sigel is an absolute banger to open the album, followed by the aforementioned “Yolanda’s House” with Method Man and Raekwon. The rest of the album plays out like a normal Ghost album, he’s got the formula down to a science by now and keeps things moving on “Walk Around,” “Yapp City,” “Supa GFK” and “Rec-Room Therapy,” while “Paisley Darts” and “Shakey Dog” both have Ghost and Rae going in like the good old days. The album doesn’t stand up to Ironman or Supreme Clientele, but it’s right there with The Pretty Toney Album and Fishscale.
6. The Undisputed Truth – Brother Ali
Ali absolutely kicks the door in with “Whatcha’ Got” starting the album and doesn’t let go. The album is jam packed with bangers and of course Brother Ali brings a message with his music. I’m not a huge fan of political songs, so this album lost my interest in a few spots, but all in all it’s terrific hip-hop. “Truth Is,” “Daylight,” “Take Me Home,” “Walking Away” and “Faheem” are all amazing songs and show how talented Ali is as both an MC and a song writer. “Take Me Home” finds Ali encouraging listeners to put his music up against anyone else’s and he’ll come out on top and “Faheem” is Ali’s letter to his son. It’s absolutely heartfelt and moving. Ali always pours his heart into his music and “Walking Away,” “Faheem” and “Ear To Ear” are prime examples of his passion on the mic.
5. Below The Heavens – Blu & Exile
Admittedly, I am sooo late to the dance with this album. I had heard “So(ul) Amazin’” and absolutely loved it, but couldn’t find the CD in stores so I never got it. Thankfully a little thing called the Internet now allows you to download albums (legally, of course) so I was able to get this album on Amazon for only $6.99. The album starts in incredible fashion with “My World Is…” using the same sample the Smut Peddlers used on “The Red Light.” “The Narrow Path” follows and delivers as well before the tremendous “So(ul) Amazin’” kicks in. “In Remembrance,” “Blu Collar Worker” and “Good Life” are all incredible tracks as well. The album reminds me of Little Brother’s debut, with a West Coast underground twist. I have a feeling that I’ll be listening to this album for a long.
4. Finding Forever – Common
Following up Be was going to be a tall order for Common, but he does a nice job with Finding Forever. It’s not as good as Be, but it has the same vibe (thanks mostly to the contributions from Mr. West) and delivers in every way. “Start The Show” is the perfect song to jump things off, before “The People” takes hold, followed by the Lily Allen featured “Drivin’ Me Wild,” which sounds a lot like Pigeon John’s “As We Know It.” Much like Kweli’s album, it’s the will.i.am contribution “I Want You” that doesn’t really fit. “Southside” brings back the heat, before “The Game” kicks in with an assist from DJ Premier for the scratches on the hook. And then there’s “Misunderstood” which conceptually is my favorite track on the album as Com discusses a hustler and a stripper’s misgivings and a cry to God for a second chance.
3. American Gangster – Jay-Z
Jay went back to his Reasonable Doubt roots on this one and predictably the results were fantastic. Hov had made enough of a career for himself to not have to take it back to the streets, but he showed he was as sharp as ever. The album plays out like a movie (no surprise as the movie of the same title is what inspired Jay to do the album) as you see Hov start to develop his hustle on “American Dreamin’,” celebrate his success on “Roc Boys” and then succumb to the downside of the game on “Fallin’” with Bilal on the hook. Beanie Sigel and Nas make appearances for the excellent “Ignorant Shit” and “Success” respectively, while the bulk of the production is handled by Diddy, Sean C & LV who formulate a great sound throughout. I remember listening to this album as I navigated the snowy streets of Syracuse and it will always remind me of driving to work on Erie Boulevard for the one year I lived in upstate New York.
2. The Cool – Lupe Fiasco
Hot off the heels of his tremendous debut, Food & Liquor, Lupe put any fears of a sophomore slump to rest in convincing fashion. Sonically, the album is a little different from his debut, but it still works. Lupe shows off his immense talent throughout, tackling different flows and a wide array of topics like a well polished MC. Among the highlights are “Go Go Gadget Flow” which finds Lupe spitting in double time, “Superstar” (see above), “Hip-Hop Saved My Life” which is a tale of the journey from unknown to superstar rapper, “Intruder Alert” which discusses sexual abuse, drug addiction and immigration and “Dumb It Down” which takes a look at the noncreative music that littered the airwaves for too long. Lupe tackles so many topics on the album, including some that would be taboo for mainstream artists, and shows why his voice is so important to hip-hop.
1. Graduation – Kanye West
While it’s not on the same level as The College Dropout or Late Registration, Kanye hit another home run with his third album, Graduation. The biggest singles off the album were “Stronger” which used a Daft Punk sample and “Good Life” which featured T-Pain, both being a far cry from songs like “Jesus Walks,” “Through The Wire,” or “Diamonds From Sierra Leone,” but they work. I never liked T-Pain, but he was the perfect choice for “Good Life.” If you can’t enjoy yourself listening to that song, then you can’t enjoy yourself period. “Good Morning,” “Champion,” “I Wonder,” “Can’t Tell Me Nothing,” “Flashing Lights,” “Everything I Am,” and “The Glory” stand up to any song Kanye’s released on his other albums. And then there’s the terrific ode to Jay-Z on “Big Brother.” But while Kanye’s first two releases were classics, a few stumbles stop Graduation from reaching that classic status. “Barry Bonds” featuring Lil Wayne is uninspiring, “Drunk And Hot Girls” is a waste of Mos Def’s talents and “Homecoming” has Kanye recycling lyrics from “Home” which was on his Freshman Adjustment mixtape that came out two years prior. Otherwise, the album is top of the line and another win for Kanye.
All in all, 2007 wasn’t a bad year, but it wasn’t a banner year either. Great music from the usual suspects like Common and Jay-Z, a welcome return of Andre 3000 and Q-Tip rhyming on the mic and my discovery of underground greats like Blu & Exile and Statik Selektah & Termanology.
After further review, there were some really quality songs that dropped in ’07 and a few terrific albums. The year as a whole left a little to be desired, but it definitely had some highlights throughout the year.
Let’s take a closer look at the Best of 2007….
Best Songs
20. “Hostile Gospel Pt. 1 (Deliver Us)” – Talib Kweli
Just Blaze brings a banger for Talib to spit over and of course Kweli doesn’t let the platform go to waste as he spits jewels about society, hip-hop culture and the like. Verse 3 has my favorite lyrics on the song as Talib drops, “The black kids wishin’ they white kids/When they close they eye lids/Like, ‘I bet they neighborhood ain’t like this’/White kids wishin’ they black kids/Wanna talk like rappers/It’s all backwards/It’s identity crisis.”
19. “It’s Over” – Freeway
Free gets loose over a Jake One beat. The Philly Freeza talks about not getting production from Just Blaze or Kanye anymore, but this proved to set the tone for a wonderful relationship with Jake One. Free starts the second verse with a nod to Jay-Z’s “Heart of the City,” as he references Dame and Jay’s breakup, as well as Dr. Dre’s “The Watcher” as he opens up the third verse.
18. “What A Job” – Devin The Dude feat. Snoop Dogg & Andre 3000
Great look at the struggles, pitfalls and passion of being a hip-hop artist. Devin is able to mix his love of weed with his love of making music, which Snoop has no problem relating to. But it’s Andre 3000 that steals the show, as should be expected, discussing bootleggers as well as how people relate to his music.
17. “Breakin’ My Heart” – Little Brother feat. Lil Wayne
I love the sample 9th Wonder used on this one. While Pooh and Phone reached out to !llmind, Khrysis, Mr. Porter, Hi-Tek and Nottz among others for production duties for Getback, it’s 9th that delivers the gem of the album. Phonte’s verse is one of my favorites of the year, as he discusses his parents relationship from his mother’s perspective, “I ain’t saying that it’s right/But we often pay the price/Because a woman’s life is love/A man’s love is life.”
16. “Da Art of Storytelling 4” – DJ Drama feat. Outkast & Marsha Ambrosius
Off of DJ Drama’s album, Andre 3000 and Big Boi come back on the mic for some straight up hip-hop. 3000 had a huge year on the mic in ’07. This song sounds like it could’ve been on Aquemini. I didn’t love the hook, but ‘Kast sound so fresh back together that it didn’t matter.
15. “Surviving The Times” – Nas
Nas gives us a great insight into his career and what it took to finally get his due. He discusses labels not having room for him and Def Jam taking a pass on him because he sounded too much like Kool G. Rap. Hey Russell, why would that be a bad thing? MC Serch took him on and got him a deal on Columbia and the rest is history. To top it all off, the song is produced by Chris Webber. Yes, THAT Chris Webber.
14. “Hip-Hop (Remix)” – Joell Ortiz feat. Jadakiss & Saigon
When I said I was out of touch with music in ’07, Joell Ortiz is the perfect example of that statement. Now that Slaughterhouse has formed, Ortiz has become a must hear artist for me. But I didn’t take the time to listen to his debut, The Brick: Bodega Chronicles. I did hear the lead single, “Hip-Hop,” and then this tremendous remix with guest vocals from Jadakiss and Saigon. Real lyricism all over this track.
13. “Campfire” – Wu-Tang Clan
This song is that old grimy Wu shit. Meth is a beast to open the track over one of RZA’s best beats in years. Ghostface slides right in and snatches the mic from Meth in grand fashion. The kung-fu samples are back, the soul vocals are there and all three MCs match the rawness of the production RZA provides. Great way to open 8 Diagrams.
12. “Superstar” – Lupe Fiasco feat. Matthew Santos
There were plenty of great songs to pick from off Lupe’s The Cool, but the lead single “Superstar” has to be the choice. It’s a look at life in the spotlight and deals with the insecurities Lupe faces as he becomes a household name. The song won over the commercial audience without being mainstream or selling out. It’s a great showcase at just how good Lupe is as a song writer.
11. “Walking Away” – Brother Ali
Was going to pick “Take Me Home” but there’s just something so personal and deep about this track that I couldn’t ignore it. This is Ali’s farewell to his ex-lover as he describes the collapse of their relationship, including an attempt on his life. Over a minimalist beat and some whistling, Ali describes the broken love with, “Fresh out of forced tears, kisses and hugs/You about to lose the company your misery loves,” and “If I’m such a bastard and mistreated you so/Then how’s it your losing your mind to see my go?”
10. “We Takin’ Over” – DJ Khaled feat. Akon, T.I., Rick Ross, Fat Joe, Baby & Lil Wayne
There are so many reasons I should hate this song, and when it first came out I tried to, but I love this song. At the time I wasn’t a T.I. fan, not a Rick Ross fan, had gotten tired of the “What’s Love” commercial sounding Joey Crack and had no place for Baby or Lil Wayne. But Tip gets this song off to a great start and Wayne slays it at the end to wrap up one of the best posse cuts of 2007. Now in 2011, I’m a fan of T.I., I’ve actually bought a Rick Ross album, Fat Joe got back to his old self in a big way on The Darkside and I’ve learned to appreciate Wayne (although I still can’t get on board with anyone saying he’s the best rapper alive. Not even close!)
9. “Yolanda’s House” – Ghostface Killah feat. Method Man and Raekwon
This is a brilliant narrative by three members of the Wu. Ghost is on the run from the cops when he runs into Meth, who just happens to be going raw dog with his girl. The exchange between the two is fantastic, as they both paint unbelievably vivid pictures with their lyrics as Ghost spits, “So I slid, hid behind the wall, opened the door/Like ‘ooohhh,’ I seen my man Meth goin’ in raw/So he jumped up balls out, I hid in the closet/I’m dyin’ laughin’, he said, ‘Yo Starks, be quiet.’” Meth jumps right in from there and continues, “Can’t believe you blowin’ the spot lord/My chick is buggin’, she trippin’/My dick keep slippin’ out my boxer drawers.”
8. “So(ul) Amazin’” – Blu & Exile
The beat on this track is tremendous. One of the best of the year, without a doubt. I had heard good things about Blu, but this was my formal introduction to him as an MC and I couldn’t have been more impressed. He has complete control over Exile’s top notch production, creating an MC/producer pair that would make Pete Rock & CL Smooth smile.
7. “The People” – Common
This shit is an absolute banger. Common goes for broke over a soulful Kanye beat. The hook is absolutely tremendous as Com spits, “This is street radio/For unsung heroes/Ridin’ in the Regal/Tryin’ to stay legal/My daughter found Nemo/I found the new Primo/Yeah, you know how we do, we do it for the people.” After Be and Finding Forever, it was reasonable to compare Kanye as the Premier to Common’s Guru and this is the perfect example.
6. “Gutted” – Beanie Sigel feat. Jay-Z
Beans and Hov get back together with a vengeance on this track. The two break down wannabe ballers and shady women over a banging beat from Reefa. Beans’ second verse is tremendous, but it’s Jay’s verse that is my favorite on the song. “You’re salary is like celery/Eatin’ over here, nigga, you’re like salad to me/Get your weight up/Get your steak up/Those little acres, get your estate up.”
5. “Stop, Look & Listen” – Statik Selektak feat. Styles P., Termanology & Q-Tip
Two artists that I was able to discover in ’07 were Statik Selektah and Termanology. I didn’t have any prior knowledge of the Boston producer and MC, which in 2011 seems crazy since they’re everywhere now. But this was a great way to get familiar with both of them, as Statik brings hip-hop gold on the track and Term holds his own with two heavyweights. Of course the real gem here is Q-Tip’s verse. It was so fresh to hear him rhyme on a track again and he didn’t disappoint.
4. “Int’l Players Anthem (I Choose You)” – UGK feat. Outkast
It was a big year for Outkast without them putting out an album. Nothing made me happier than hearing Andre 3000 and Big Boi rhyming on the same track again as Houston’s finest Bun B and Pimp C got the ATLiens to join them for one of the smoothest tracks of the year. Andre 3000 is the show stealer here, spittin’, “I typed a text to girl I used to see/Sayin’ that I chose this cutie pie with whom I wanna be/And I apologize if this message gets you down/Then I CC’d every girl I’d see see round town.” But all four MCs come correct on this one.
3. “Roc Boys (And The Winner Is…)” – Jay-Z
The fact that Kanye didn’t produce this track was a huge surprise to me. It was a celebratory anthem, with horns, backup vocals (including ‘Ye) and the soul sound of something off The Blueprint or Late Registration. But it was Diddy, Sean C & LV that produced the song and it’s one of the best party songs in a long time. This song makes you feel like you’re part of a big event, even if you’re just driving to work. It’s one of Jay’s finest singles and that’s saying something.
2. “I Get Money” – 50 Cent
This may end up being the last 50 song that I’ll love. It’s sad to think that only a few years earlier he had put out a hip-hop classic. But with each album, 50’s appeal faded more and more for me and Curtis was the last straw for me. I didn’t even bother buying Before I Self Destruct. The “Candy Shop,” “Amusement Park” and “Baby By Me” bullshit made me hit the kill switch on 50’s music. But “I Get Money” was, is and always will be a home run from 50. I love the Audio Two sample, I love the stripped down, rawness of the production and although 50 is pretty much just bragging about how much money he has, his swagger makes the song effective. Bring it back to this Fif!
1. “Can’t Tell Me Nothing” – Kanye West
Of all the songs to serve as the lead single off Graduation, Kanye made the absolute right choice with “Can’t Tell Me Nothing.” While “Stronger” would go on to have better commercial success and “Good Life” took home a Grammy for Best Rap Song, beating out “Can’t Tell Me Nothing,” Kanye chose a single that would bring a serious side out of him and show pure passion on the mic. The beat is slowed down, almost haunting, but every time I hear it I reach for the volume button to crank it up. It takes me back to hearing “Through The Wire” for the first time and gets my head nodding immediately. Kanye opens the song with one of my favorite lines, “I had a dream I could buy my way to Heaven/When I awoke I spent that on a necklace,” before delivering the humbling line, “I feel the pressure, under more scrutiny/And what I do? Act more stupidly.” It’s a moment of vulnerability from an artist that is widely regarded as one of the most brash and conceited in the industry. No matter how you see him, it’s more tremendous music from one of the best in the game.
Best Albums
10. None Shall Pass – Aesop Rock
After the incredible Labor Days, I was really excited for Bazooka Tooth. But that album was a bit of a letdown for me. Labor Days had a heavy dose of beats from Blockhead who brings out the best in Aesop and that’s where Bazooka Tooth missed, as most of the production was handled by Aesop himself. It’s not that Aesop’s production is bad, but it’s kind of like Eminem. Would you rather hear an Eminem album produced entirely by Em, or an Eminem album produced by Dr. Dre? That’s the same way I feel about Aesop’s production. For 2007’s None Shall Pass, Aesop handed things back over to Blockhead, who produced more than half the album, and allowed El-P and Rob Sonic to add their touches to deliver another solid LP. There’s never reason to question whether Aesop will bring it lyrically, but I was glad to hear him over great production.
9. Eardrum – Talib Kweli
A lot of great music on this disc, as Kweli tapped some of the best producers in the game (Madlib, Just Blaze, Pete Rock & Hi-Tek) and brought a variety of sounds instead of sticking with the same formula of straight underground New York hip-hop. Don’t get me wrong, I love straight underground East Coast hip-hop, but it was fresh to hear Kweli rhyming alongside artists like UGK for the Southern influenced “Country Cousins” and to give a nod to the West with “Go With Us” featuring Strong Arm Steady. Then there’s the great East Coast hip-hop that we expect from Talib with “Hostile Gospel Pt. 1,” the Pete Rock produced “Holy Moly” and the bangin’ “Listen!!!” Kanye stops by for the smooth, jazzy “In the Mood” and Norah Jones, of all people, brings the perfect voice for “Soon The New Day.” It’s a buffet of sounds and it’s all genuine hip-hop. The only real miss for me was “Hot Thing” featuring will.i.am. It just didn’t fit Kweli’s style.
8. 8 Diagrams – Wu-Tang Clan
Nothing gets me more excited than a new Wu-Tang album. Of course I’m always in for a disappointment since nothing will ever live up to Enter The 36 Chambers, but this group is responsible for so many amazing hip-hop songs, a handful of classic albums and some of the best chemistry from some of the best lyricists ever along with one of the greatest producers to ever do it. This album stirred up controversy among the Clan as Ghostface and Raekwon were not exactly thrilled with the direction RZA was taking the music. The rift did make me a little worried about the album, but Ghostface is on point throughout the whole album and there are moments that feel like vintage Wu. This disc starts with fire as “Campfire” kicks off the album in classic Wu-Tang style. “Take It Back,” “Get Them Out Ya Way Pa,” and “Rushing Elephants” all keep it moving, while the George Clinton assisted “Wolves” is another of my favorites. The second half of the album does fall a little short, with tracks like “Starter,” but the album ends with the heartfelt ode to Ol’ Dirty Bastard on “Life Changes.” It’s not their best effort, but it’s still a solid contribution to the Wu catalog.
7. The Big Doe Rehab – Ghostface Killah
Another solid album from Ghost, what else is new? The dude is one of the most consistent MCs ever when it comes to releasing quality music. “Toney Sigel” with Beanie Sigel is an absolute banger to open the album, followed by the aforementioned “Yolanda’s House” with Method Man and Raekwon. The rest of the album plays out like a normal Ghost album, he’s got the formula down to a science by now and keeps things moving on “Walk Around,” “Yapp City,” “Supa GFK” and “Rec-Room Therapy,” while “Paisley Darts” and “Shakey Dog” both have Ghost and Rae going in like the good old days. The album doesn’t stand up to Ironman or Supreme Clientele, but it’s right there with The Pretty Toney Album and Fishscale.
6. The Undisputed Truth – Brother Ali
Ali absolutely kicks the door in with “Whatcha’ Got” starting the album and doesn’t let go. The album is jam packed with bangers and of course Brother Ali brings a message with his music. I’m not a huge fan of political songs, so this album lost my interest in a few spots, but all in all it’s terrific hip-hop. “Truth Is,” “Daylight,” “Take Me Home,” “Walking Away” and “Faheem” are all amazing songs and show how talented Ali is as both an MC and a song writer. “Take Me Home” finds Ali encouraging listeners to put his music up against anyone else’s and he’ll come out on top and “Faheem” is Ali’s letter to his son. It’s absolutely heartfelt and moving. Ali always pours his heart into his music and “Walking Away,” “Faheem” and “Ear To Ear” are prime examples of his passion on the mic.
5. Below The Heavens – Blu & Exile
Admittedly, I am sooo late to the dance with this album. I had heard “So(ul) Amazin’” and absolutely loved it, but couldn’t find the CD in stores so I never got it. Thankfully a little thing called the Internet now allows you to download albums (legally, of course) so I was able to get this album on Amazon for only $6.99. The album starts in incredible fashion with “My World Is…” using the same sample the Smut Peddlers used on “The Red Light.” “The Narrow Path” follows and delivers as well before the tremendous “So(ul) Amazin’” kicks in. “In Remembrance,” “Blu Collar Worker” and “Good Life” are all incredible tracks as well. The album reminds me of Little Brother’s debut, with a West Coast underground twist. I have a feeling that I’ll be listening to this album for a long.
4. Finding Forever – Common
Following up Be was going to be a tall order for Common, but he does a nice job with Finding Forever. It’s not as good as Be, but it has the same vibe (thanks mostly to the contributions from Mr. West) and delivers in every way. “Start The Show” is the perfect song to jump things off, before “The People” takes hold, followed by the Lily Allen featured “Drivin’ Me Wild,” which sounds a lot like Pigeon John’s “As We Know It.” Much like Kweli’s album, it’s the will.i.am contribution “I Want You” that doesn’t really fit. “Southside” brings back the heat, before “The Game” kicks in with an assist from DJ Premier for the scratches on the hook. And then there’s “Misunderstood” which conceptually is my favorite track on the album as Com discusses a hustler and a stripper’s misgivings and a cry to God for a second chance.
3. American Gangster – Jay-Z
Jay went back to his Reasonable Doubt roots on this one and predictably the results were fantastic. Hov had made enough of a career for himself to not have to take it back to the streets, but he showed he was as sharp as ever. The album plays out like a movie (no surprise as the movie of the same title is what inspired Jay to do the album) as you see Hov start to develop his hustle on “American Dreamin’,” celebrate his success on “Roc Boys” and then succumb to the downside of the game on “Fallin’” with Bilal on the hook. Beanie Sigel and Nas make appearances for the excellent “Ignorant Shit” and “Success” respectively, while the bulk of the production is handled by Diddy, Sean C & LV who formulate a great sound throughout. I remember listening to this album as I navigated the snowy streets of Syracuse and it will always remind me of driving to work on Erie Boulevard for the one year I lived in upstate New York.
2. The Cool – Lupe Fiasco
Hot off the heels of his tremendous debut, Food & Liquor, Lupe put any fears of a sophomore slump to rest in convincing fashion. Sonically, the album is a little different from his debut, but it still works. Lupe shows off his immense talent throughout, tackling different flows and a wide array of topics like a well polished MC. Among the highlights are “Go Go Gadget Flow” which finds Lupe spitting in double time, “Superstar” (see above), “Hip-Hop Saved My Life” which is a tale of the journey from unknown to superstar rapper, “Intruder Alert” which discusses sexual abuse, drug addiction and immigration and “Dumb It Down” which takes a look at the noncreative music that littered the airwaves for too long. Lupe tackles so many topics on the album, including some that would be taboo for mainstream artists, and shows why his voice is so important to hip-hop.
1. Graduation – Kanye West
While it’s not on the same level as The College Dropout or Late Registration, Kanye hit another home run with his third album, Graduation. The biggest singles off the album were “Stronger” which used a Daft Punk sample and “Good Life” which featured T-Pain, both being a far cry from songs like “Jesus Walks,” “Through The Wire,” or “Diamonds From Sierra Leone,” but they work. I never liked T-Pain, but he was the perfect choice for “Good Life.” If you can’t enjoy yourself listening to that song, then you can’t enjoy yourself period. “Good Morning,” “Champion,” “I Wonder,” “Can’t Tell Me Nothing,” “Flashing Lights,” “Everything I Am,” and “The Glory” stand up to any song Kanye’s released on his other albums. And then there’s the terrific ode to Jay-Z on “Big Brother.” But while Kanye’s first two releases were classics, a few stumbles stop Graduation from reaching that classic status. “Barry Bonds” featuring Lil Wayne is uninspiring, “Drunk And Hot Girls” is a waste of Mos Def’s talents and “Homecoming” has Kanye recycling lyrics from “Home” which was on his Freshman Adjustment mixtape that came out two years prior. Otherwise, the album is top of the line and another win for Kanye.
All in all, 2007 wasn’t a bad year, but it wasn’t a banner year either. Great music from the usual suspects like Common and Jay-Z, a welcome return of Andre 3000 and Q-Tip rhyming on the mic and my discovery of underground greats like Blu & Exile and Statik Selektah & Termanology.
Monday, August 29, 2011
Song of the Day
Smoothe Da Hustler & Trigga The Gambler - "My Brother, My Ace"
I haven't been posting much lately because my brother has been really sick, so I haven't really had the want to be on the computer blogging. But the title of this song says it all for me. Get well SSD!
I haven't been posting much lately because my brother has been really sick, so I haven't really had the want to be on the computer blogging. But the title of this song says it all for me. Get well SSD!
Wednesday, August 24, 2011
Song of the Day
Apathy feat. Ill Bill - "The Villain"
Apathy's Honkey Kong is pretty much flat out ridiculous. This shit just bumps from start to finish and is some of the best hip-hop you'll hear all year. There are plenty of songs I could have chosen for Song of the Day, but this song came on during my drive home from work and stuck with me. The sample is perfect. I don't know who's voice that is, but it's sick! Ap and Ill Bill make you envision all the awful things in the world in vivid detail. It's a great collaboration. You need this album!
Apathy's Honkey Kong is pretty much flat out ridiculous. This shit just bumps from start to finish and is some of the best hip-hop you'll hear all year. There are plenty of songs I could have chosen for Song of the Day, but this song came on during my drive home from work and stuck with me. The sample is perfect. I don't know who's voice that is, but it's sick! Ap and Ill Bill make you envision all the awful things in the world in vivid detail. It's a great collaboration. You need this album!
Tuesday, August 23, 2011
New Release Tuesday (Part 2 - I Can't Believe I Forgot This!!!!!!)
After posting my first New Release Tuesday blurb, I went to check what else was coming out today and I totally forgot Apathy's Honkey Kong. There are no words for how I forgot this. This is one of the albums I've been waiting for all year and it totally slipped my mind. If you buy any album this week, this is the one to buy! 
Apathy is an absolutely monster on the mic and deserves your attention. I promise you, you won't regret buying this album. It's available for download on Amazon for $7.99 (I'm downloading my copy as we speak), so shell out the $8 and support great hip-hop.
The album is 23 tracks long, and since I just said 21 tracks for Game's R.E.D. Album is too many, I'm going to assume there's a few throwaway tracks on here as well, but I guarantee you it's almost all head nodding, super lyrical hip-hop that you will love. If not, then I just hyped up a major disappointment, and believe me no one would be more disappointed than me. The album features guest spots from Vinnie Paz, Slaine, Ill Bill, Celph Titled, Xzibit, Action Bronson, General Steele, Mad Lion, Blacastan, Esoteric, Reef The Lost Cauze, Planetary, Motive, Crypt The Warchild, Diabolic, Scoop DeVille and production from DJ Premier, DJ Muggs and Statik Selektah!!!
I can't see this being a flop. I'm sampling the album right now and it sounds really fresh.
The album is 23 tracks long, and since I just said 21 tracks for Game's R.E.D. Album is too many, I'm going to assume there's a few throwaway tracks on here as well, but I guarantee you it's almost all head nodding, super lyrical hip-hop that you will love. If not, then I just hyped up a major disappointment, and believe me no one would be more disappointed than me. The album features guest spots from Vinnie Paz, Slaine, Ill Bill, Celph Titled, Xzibit, Action Bronson, General Steele, Mad Lion, Blacastan, Esoteric, Reef The Lost Cauze, Planetary, Motive, Crypt The Warchild, Diabolic, Scoop DeVille and production from DJ Premier, DJ Muggs and Statik Selektah!!!
I can't see this being a flop. I'm sampling the album right now and it sounds really fresh.
New Release Tuesday/Song of the Day
One of the most talked about hip-hop albums of the year, and one of the most delayed, is Game's R.E.D. Album. While putting together his fourth studio album, Game has released a shit load of new material in 2011 with the Purp & Patron mixtape, The Hangover mixtape and Hoodmorning (No Typo): Candy Coronas mixtape. Seriously, hate him or love him (pun intended), you have to admire his hunger putting out that much music in a calendar year. And it's only August!
I have heard a few tracks off R.E.D., some of which are really dope like "The City" and "Ricky" while others miss the mark. A lot of people are geeked for "Martians vs. Goblins" with Lil Wayne and Tyler The Creator on board, but the song didn't do anything for me. I really don't understand the obsession with Tyler. I also can't be any more disappointed in the Dr. Dre and Snoop Dogg featured "Drug Test" which is some of Dre's worst rhyming ever. It makes me scared for Detox, if that ever comes out.
The guest list on the album reads like a hip-hop who's who as Game gets contributions from Kendrick Lamar, Dr. Dre, Snoop Dogg, Tyler, Weezy, Drake, Rick Ross, Beanie Sigel, Young Jeezy, E-40, Big Boi and Wale, as well as hooks from Lloyd, Mario, Chris Brown and Nelly Furtado. That's a lot of guests on one album, as Game only goes for self on four tracks. And at 21 songs long, there's sure to be some filler on there. 21 tracks for one album is just too damn long. I wish more artists would cut down on their albums and just serve us up some greatness, a la Illmatic (10 tracks) or Enter The 36 Chambers (12 tracks).
Song of the Day
Game feat. Kendrick Lamar - "The City"
As I said above, one of the true highlights from the album is "The City." Game sounds extremely hungry on this track. He goes all in on a dope beat and a great sample. And then Kendrick just goes ape shit to end the track, spittin' acappella at a furious pace. This song makes me want to buy the album!
I have heard a few tracks off R.E.D., some of which are really dope like "The City" and "Ricky" while others miss the mark. A lot of people are geeked for "Martians vs. Goblins" with Lil Wayne and Tyler The Creator on board, but the song didn't do anything for me. I really don't understand the obsession with Tyler. I also can't be any more disappointed in the Dr. Dre and Snoop Dogg featured "Drug Test" which is some of Dre's worst rhyming ever. It makes me scared for Detox, if that ever comes out.
The guest list on the album reads like a hip-hop who's who as Game gets contributions from Kendrick Lamar, Dr. Dre, Snoop Dogg, Tyler, Weezy, Drake, Rick Ross, Beanie Sigel, Young Jeezy, E-40, Big Boi and Wale, as well as hooks from Lloyd, Mario, Chris Brown and Nelly Furtado. That's a lot of guests on one album, as Game only goes for self on four tracks. And at 21 songs long, there's sure to be some filler on there. 21 tracks for one album is just too damn long. I wish more artists would cut down on their albums and just serve us up some greatness, a la Illmatic (10 tracks) or Enter The 36 Chambers (12 tracks).
Song of the Day
Game feat. Kendrick Lamar - "The City"
As I said above, one of the true highlights from the album is "The City." Game sounds extremely hungry on this track. He goes all in on a dope beat and a great sample. And then Kendrick just goes ape shit to end the track, spittin' acappella at a furious pace. This song makes me want to buy the album!
Friday, August 19, 2011
Song of the Day
The Bo$$ Hog Barbarians - "Baby You Burnt Me"
J-Zone and Celph Titled, what a combination! The two had collaborated on Zone's previous albums before putting out an entire album together under the alias Bo$$ Hog Barbarians. I ordered the album online and got a free bonus disc with it called The Hogs Sing The Hits: Pig Parodies, including this gem. Over PM Dawn's "Set Adrift On Memory Bliss" Zone and Celph spit about one night stands that led to contracting syphilis. It's so well done and gets me every time.
J-Zone and Celph Titled, what a combination! The two had collaborated on Zone's previous albums before putting out an entire album together under the alias Bo$$ Hog Barbarians. I ordered the album online and got a free bonus disc with it called The Hogs Sing The Hits: Pig Parodies, including this gem. Over PM Dawn's "Set Adrift On Memory Bliss" Zone and Celph spit about one night stands that led to contracting syphilis. It's so well done and gets me every time.
Tuesday, August 16, 2011
New Release Tuesday
Kind of a quiet Tuesday, but Slaine's A World With No Skies 2.0 gets its official release today. The album leaked earlier in the year, so Slaine has made a few minor variations for version 2.0 which is officially available today. I liked Slaine's The Devil Never Dies mixtape, which dropped last year, so I'm interested in hearing this disc.
Below is your Song of the Day, Slaine's "99 Bottles." The song was used in The Town, which Slaine co-starred in and finds Slaine paying umbrage to his fellow La Coka Nostra MCs House of Pain with the start of the first and third verses.
Below is your Song of the Day, Slaine's "99 Bottles." The song was used in The Town, which Slaine co-starred in and finds Slaine paying umbrage to his fellow La Coka Nostra MCs House of Pain with the start of the first and third verses.
Monday, August 15, 2011
Song of the Day
Prince EA - "Backwards Rappers"
Conceptually, this is a really dope track. Flipping the verse in two different directions to give it two entirely different meanings, Prince EA brings a great message about putting education first. It's not the greatest lyrical display you'll ever hear, but based on the concept and the message I gotta give Prince EA a lot of props for this one.
Conceptually, this is a really dope track. Flipping the verse in two different directions to give it two entirely different meanings, Prince EA brings a great message about putting education first. It's not the greatest lyrical display you'll ever hear, but based on the concept and the message I gotta give Prince EA a lot of props for this one.
Sunday, August 14, 2011
The Best Hip-Hop Songs & Albums: 2006
2006 brought us some exciting new music from some fresh faces, as well as some old reliables. Interesting blend of underground and mainstream, with the underground artists and debut artists making more of an impact album wise then the more commercial artists.
Here we go…
Best Songs
20. “Mighty O” – Outkast
After Speakerboxxx/The Love Below became the biggest smash of 2005, ‘Kast made it to the big screen in Idlewild. With that came sort of a continuation of their previous release as Big Boi focused on the hip-hop side of things, while Andre 3000 continued with a more blue/R&B feel mixed with Cab Calloway. But this song, which was influenced by Calloway’s “Minnie The Moocher,” has both Andre and Big Boi spitting on the mic again. So refreshing to hear them both rhyming again.
19. “Back Again” – Dilated Peoples
One of the most consistent acts of the 2000’s, Dilated Peoples brought another underground gem with 20/20. This served as the first single and starts in grand fashion with Evidence flipping Diddy’s verse from “Bad Boy 4 Life” with, “Back again, for the very fourth time/Don’t worry if I write checks, I write rhymes.” The two go back and forth hitting another home run with another lead single. No surprise there.
18. “Say” – Method Man
Meth spits some introspective shit over an acoustic guitar and Lauryn Hill sample. This is far from “Bring The Pain,” but it worked. Mr. Mef rips commercial radio and then responds to his critics for poor reviews of Tical 0: The Prequel. To be fair, that album was a major disappointment, but I’ll give Meth the benefit of the doubt for spitting lines like this: “Cause Tical, he put his heart in every track he do.” If that’s the case, then that’s all you can ask for.
17. “Work It Out” – Jurassic 5 feat. Dave Matthews
This collaboration had me intrigued to say the least. While a lot of hip-hop heads hated the very idea of one of the underground’s favorites grabbing Dave Matthews for a track and a chance at some mainstream exposure, if you listened to the track you’d realize it worked. It was a feel good song that was great for summertime cookouts. And J5 didn’t fall off on the track. They still bring the goods.
16. “Growing Old” – Pigeon John
Pigeon John struck a chord with me on this song as he talks about the great hip-hop acts of old whose glory days were seemingly behind them. Or more importantly, that he was getting older and the hip-hop industry was changing drastically. He references the Beastie Boys, Dana Dane, JJ Fad, Fat Boys, De La Soul, Jungle Brothers, A Tribe Called Quest, 3rd Bass, Special Ed, KRS, Wu-Tang Clan and Souls of Mischief among others. Great look back on the old school and hip-hop acts that as PJ says, “Were ahead of their time.”
15. “Imagine” – Snoop Dogg feat. Dr. Dre & D’Angelo
Snoop’s Tha Blue Carpet Treatment was his best album since 1999, and one of the reasons why was more Dr. Dre production, the best of which came on this track. Apparently the beat was originally to be used on Busta Rhymes’ The Big Bang, but couldn’t get the sample cleared, so Snoop got the track. Glad that happened, because Dre and Snoop reunite for a great track that discusses life without hip-hop and gangbanging. Nice to hear D’Angelo again as well.
14. “De La Souls” – P.O.S.
One of the biggest pleasant surprises for me in 2006 was discovering P.O.S. As the newest signee to Rhymesayers Entertainment, home to Atmosphere and Brother Ali, I had to give him a listen. Glad I did. P.O.S. released an honest hip-hop album in Audition that touched on politics, heartbreak and a nod to the horror film that he took the album’s title from, while also mixing in elements of his punk rock past. This song is pure hip-hop as P.O.S. borrows from De La Soul’s “I Am I Be” (hence the song title) and puts his own spin on it over a sample of Bouncing Soul’s “Argyle.”
13. “Silly Girls” – Murs & 9th Wonder feat. Joe Scudda
Great track from the Murs-9th combo, as 9th Wonder samples Valerie Simpson’s “Silly Wasn’t I” to perfection. Murs spits two verses, with the second detailing his stalker ex-girlfriend whom Murs warns to back off before his current girl knocks her out. Scudda touches on a “hit it and quit it” relationship that develops into the girl getting too attached, so he gets with her friends.
12. “Cry Now” – Obie Trice
This was a Song of the Day a while back, as the energy on this track is tremendous. The beat is courtesy of Witt & Pep (can’t say I’m familiar with them) and uses a Bobby Blue Band sample to perfection. Obie brings some street shit and mixes some braggadocio to produce one of the best songs of his career. The 2nd verse may be my favorite as Trice spits, “This ain’t Detroit Red, you won’t X me out Malcolm/My exodus, will never be from a violent outcome/I turn Exorcist on n-ggaz wit extra clips/Exit on my ethics, is no longer present/X-rays show I was this close to Heaven/So for future reference I stay this close to a weapon.”
11. “Don’t Feel Right” – The Roots
I was torn between this and “Here I Come,” but I remember hearing this track on the radio for the first time before Game Theory dropped and I was souped up for the album. I was on the way to the bar on a Friday night and had the radio on, which is an absolute rarity for me, but they played this track for the first time and I’ve rocked it ever since. Black Thought hits on the prison system, dope dealing, mass weapon production and natural disasters as part of society’s ills. Not only does this track knock, but it’s got a great message too. Which is what makes The Roots great.
10. “Letter P” – Saigon feat. Kool G. Rap
Unbelievable performance from Saigon on this one. He was starting to get some buzz thanks to his Entourage appearances, but that show didn’t have shit on what Sai could do on the mic. Dude is a beast. I like the G. Rap verse as well, but it doesn’t compare to Saigon. “I pop a pussy person for purposely perpetrating/Point the pistol and pull it, this punk is impersonating…” It ranks up there with Blackalicious’ “Alphabet Aerobics” as one of the illest plays on words I’ve ever heard.
9. “No Apologies” – Eminem
Em didn’t give us a solo release in ’06, but he did drop The Re-Up to show off his Shady Records family. Not surprisingly Em was the true star of the show on this disc and this solo track was the true stand out. Eminem disappointed with 2004’s Encore, but showed what he still had in the tank with this track as he thumbed his nose at the critics.
8. “It’s Okay (One Blood)” – The Game
Game had the same idea as the Wu by resurrecting Junior Reid’s “One Blood” for this banger. This version is much more upbeat than Wu-Tang’s “One Blood Under The W” as Game sounds hungry on the first single off his sophomore effort. This song still gets me amped when I hear it.
7. “The Winter” – Apathy
Ap shows just how great of a song writer he is on this one as he paints a vivid picture of dealing with life in the freezing weather. Describing everything from starting the car 10 minutes early to get the heat started to sippin’ chicken broth and orange juice when you’re sick, Ap offers a perspective all can relate to in describing, “The season when Timberlands replace our sneakers.”
6. “You Know I’m No Good” – Ghostface Killah feat. Amy Winehouse
I heard this track before I had any idea who Amy Winehouse was. I remember hearing the hook and thinking, “Damn, that girl can sing,” but I figured it was an old soul sample or something. I couldn’t be more impressed when I heard the original version and heard Winehouse’s vocals. It’s crazy to think it’s only five years later and she’s passed away. As for the song itself, it works so well as Ghost flips it over the original beat.
5. “Bullet” – Rhymefest feat. Citizen Cope
Real talk on this one from Rhymefest. The first verse describes a youth shot down fighting overseas, verse 2 discusses the ill (literally) effects of unprotected sex with multiple partners and the third and final verse touches on gang violence. It’s such a well written song and the use of Citizen Cope’s “Bullet & A Target” really pulled the song together perfectly.
4. “Daydreamin’” – Lupe Fiasco feat. Jill Scott
Speaking of unbelievably well written songs, it’s hard to top this one from Lupe. The concept of riding a robot through the city and observing all the streets ills is both original and well executed. Lupe showed why there was so much hype surrounding him on his first album and this song is the truest testament to his talents as a song writer. Great social commentary, great sample of “Daydream In Blue,” and Jill Scott kills it on the hook.
3. “Lost One” – Jay-Z feat. Chrisette Michelle
Dr. Dre with one of my favorite beats of the year and Jay does it justice with a great introspective track. Verse 1 discusses his fallout with Dame, verse 2 discusses his struggles with maintaining a relationship in showbiz (which doesn’t really work now that he and Beyonce are married, but whatever, the verse is still nice) and verse 3, my favorite of the three, finds Jay reflecting on the death of his nephew. Really personal shit and one of my favorite Hov tracks ever.
2. “Hip-Hop Is Dead” – Nas
Dude loved the “In-A-Gadda-Da-Vida” sample so much he had to flip it again. This time will.i.am is credited with the production, although Salaam Remi sampled it originally for 2004’s “Thief’s Theme.” Nas introduced a phrase on this song that is still being tossed around today by artists and hip-hop fans alike. And while I’ve never considered hip-hop to be “dead,” it was a great commentary on the way the music industry was shifting and the market was getting flooded with more and more unoriginal, uninspiring bullshit tracks that were made to sell ring tones. Nas, one of the greatest MCs of all time, was the perfect authority for the subject and absolutely slayed this track. “Everybody sounds the same/Commercialize the game/Reminiscin’ when it wasn’t all business/It forgot where it started/So we all gather here for the dearly departed.”
1. “War With God” – Ludacris
Probably the least expected No. 1 song I’ve had on any list, but it deserves the No. 1 spot. Luda is an absolute beast on this track and the sample is amazing. Using Billy Paul’s “War of the Gods,” Ludacris spits three amazing verses with insight and ferocity all balled into one. There’s no question Luda put his heart into this track and it delivers amazing results. He discusses his position in the rap game, talks about giving back to the children for good karma and warns rappers, “So unless you usin’ tampons, quit actin’ stuck up/And do like your records say or shut the fuck up!” I remember hearing this song for the first time and loving it instantaneously, and now, five years later, it’s the song that always gets my attention whenever it comes on. I made a Best of ’06 mix in the beginning of ’07 and “Hip-Hop Is Dead” is the first track (which usually means it’s my favorite song of the year), but listening to that mix now it’s “War With God” that always gets me to crank up the volume and grabs my full attention.
Best Albums
10. And The Summertime Pool Party – Pigeon John
I’m a huge Pigeon John fan. I find his music so easy to listen to and so enjoyable. There’s no bullshit, just fun hip-hop music, with John usually taking pot shots at himself. The second half of this album is so strong that it bumped P.O.S.’s Audition and Game’s Doctor’s Advocate off the list. “One For The…” features a show stealing verse from Brother Ali (no surprise there), “The Last Sunshine” features production from the great RJD2 and another show stealing verse from J-Live (again, no surprise), and “Weight Of The World” finds John dealing with the everyday struggles of car payments, bills, stress and the like. “As We Know It” finds John having a discussion with Jesus and asking the questions we’ve all thought about at one point or another. And then the album wraps up with the aforementioned “Growing Old” one of my top 20 songs of the year.
9. Murray’s Revenge – Murs & 9th Wonder
The follow-up to Murs 3:16: The 9th Edition, this album is chock full of excellent music. One of my favorites is the first track “Murs Day,” I just wish it clocked in at more than 1:54. One more verse would’ve been great! I discussed “Silly Girl” above, while “Barbershop” features 9th’s Little Brother brethren Big Pooh sharing the mic with Murs. “Yesterday & Today” is a great concept song, as Murs details his life struggles. It’s the truth. “Love & Appreciate” and “Murray’s Revenge” are also standouts on one of the year’s most consistent albums.
8. Release Therapy – Ludacris
This album is either hit or miss the whole way through, but when it’s good, it’s real good. “Grew Up A Screw Up” is an absolute banger and although I’m not a Young Jeezy fan, I finally found a song he was on that I liked. The Biggie sample for the hook is tremendous as well. “Mouths To Feed,” “Tell It Like It Is,” and “War With God” are all excellent, while “Slap” and “Runaway Love” are both quality tracks. “Runaway Love” was actually a great song, until I heard it 1,000,000 times and got sick of it. The lead single, “Money Maker” was meh, while the Field Mob assisted “Ultimate Satisfaction” is a guilty pleasure of mine.
7. Kingdom Come – Jay-Z
This album really was all over the place. In spots, it’s great. In other’s it’s just blah. “Oh My God” and the title track where tremendous in kicking off the album. I love both of those tracks. But then comes the lead single, which I questioned when it came out and still question to this day, in “Show Me What You Got.” The video was a big budget production with Danica Patrick and Dale Earnhardt Jr., but it was all sizzle and no steak. The song was much the same. I was not impressed. Then “Lost One” dropped and I was back on board immediately. The other standouts are “Minority Report” which finds Jay discussing the aftermath of Hurricane Katrina and “Beach Chair” which features Chris Martin of Coldplay. Ballsy choice, but it was the right move.
6. Blue Collar – Rhymefest
I really enjoyed Rhymefest’s debut album and if not for a few misses, it may’ve been a top 5 album of ’06. “All I Do” sounds way too much like Jay-Z’s “All I Need” and “Stick” bears a resemblance to David Banner’s “Play” which I absolutely hated. “Chicago-Rillas” was also a bit off the mark for me. But the rest is pretty much terrific. “Dynomite,” “Brand New,” “Fever,” “More,” “Devil’s Pie,” “Bullet,” and “Tell A Story” were all in heavy rotation for me in ’06, and to top it all off the album ended with Ol’ Dirty Bastard singing “Build Me Up Buttercup” on “Build Me Up.” How can it get any better than that?
5. Fishscale – Ghostface Killah
2006 was a busy year for Ghostface, as he released Fishscale and More Fish in the same year. Fishscale featured so much great music, thanks to a slew of all-star producers including Just Blaze, MF Doom, J. Dilla and Pete Rock. Ghost also gets production credits for “Big Girl” which sounds like it would fit right in with the Pretty Toney Album as Ghost spits directly on top of the Stylistics’ “You’re A Big Girl Now.” The album gets off to an outstanding start with “Shakey Dog,” “Kilo” and “The Champ” and then Doom brings his production talents to “9 Milli Bros.” which features the entire Wu-Tang Clan. When’s the last time you heard the entire Wu on someone’s solo project? The shit got me so amped when I heard it, I didn’t know what to do. The Pete Rock produced “Be Easy” is another absolute gem as is the Dilla produced “Whip You With A Strap.” There are some throwaway tracks, as the album is 23 tracks long, but Ghost delivered again with this one.
4. Food & Liquor – Lupe Fiasco
The debut disc from Lupe was one of the most well rounded and cohesive offerings of ’06. Excuse me for not deeming it a classic, but it was certainly an excellent effort that showed Lupe was going to be a factor in this game for years to come. This disc touches on a vast array of topics from his love to skate boarding on “Kick, Push,” broken homes on “He Say She Say,” race on “American Terrorist” and the powerful grip of television on America’s youths on “The Instrumental.” But it’s the creative story telling on “Daydreamin’,” and “The Cool” that put this album into another category for me. And then there’s “Hurt Me Soul” which would’ve been in my Top 10 for Best Songs if “Daydreamin’” wasn’t on this album. That track is amazing, as evidenced by the first chorus, “My mom can’t feed me/My boyfriend beats me/I have sex for money/The hood don’t love me/The cops wanna kill me/This nonsense built me/And I got no place to go/They bomb my village/They call us killers/Took me off they welfare/Can’t afford they health care/My teacher won’t teach me/My master beats me/And it hurts my soul.”
3. Hip-Hop Is Dead – Nas
Even though he pronounced “Hip-Hop Is Dead,” Nas released an excellent hip-hop record in ’06. The album is solid from start to finish, as “Money Over Bullshit” kicks things off in fine fashion, while “Carry On Tradition,” “Where Are They Now,” “Hip-Hop Is Dead,” and “Who Killed It?” are all great odes to the culture that Nas is proclaiming to be deceased. The album also saw the much anticipated dream collaboration between Esco and Jay-Z on “Black Republican” which is an absolute banger. “Not Going Back” is Nas saying farewell to a life on the streets, while Kanye West joins Nas for the terrific “Still Dreaming.” Then come two of my absolute favorites in “Let There Be Light” and “Can’t Forget About You” featuring Tre Williams and Chrisette Michelle respectively. All in all, it’s another victory in a Hall of Fame career.
2. Game Theory – The Roots
I remember the weekend before this album dropped I came home from work on a Saturday night and popped the television on while I had a beer before heading to the bar for the night. I scrolled through some music channels and found one that was giving an exclusive sneak peak to the entire album before it was released. I planned to only watch TV for 10 minutes before the bar, but I ended up staying on the recliner and listening to the entire album. I was sucked in from the start and it gave the album special meaning to me ever since. The album starts and ends as a tribute to J Dilla, sandwiched between some of the darkest, most meaningful music of the group’s career. Black Thought is on top of his game throughout, spitting about the media, natural disasters, war, politics, the music industry and personal battles. So many standouts on here, but my favorites are “Don’t Feel Right,” “In The Music,” “Take It There,” “Here I Come,” “Long Time” and “Clock With No Hands.” It’s grown folks music and it’s true hip-hop to the fullest.
1. Eastern Philosophy – Apathy
In the same year that Nas declared “Hip-Hop Is Dead,” Apathy dropped an album that sounds like it was straight out of 1993-95, the glory years of hip-hop and evidence that hip-hop was alive and well. This album is a throwback to early ‘90’s East Coast hip-hop and has Ap destroying the mic over samples of Onyx, Gang Starr and Jay-Z. “1,000 Grams” is some straight boom bap hip-hop and “All About Crime” is an ode to the gritty street anthems of the ‘90’s. “9 to 5” finds Apathy and Emilio Lopez describing the grind, as Ap spits, “Broke mind state only gets me mad/I rather be a sugar daddy than a deadbeat dad.” Celph Titled and Ryu join Ap for the excellent “Can’t Leave Rap Alone” where Celph says, “Old timers ask me where I got my pimp game from/Cause I got 99 bitches and ain’t a problem with one.” And that’s what makes this album so great. It’s lyrics and punchlines and it was just what the game needed at the time. Apathy shows that he’s more than punchlines and battle raps, as he tackles subject matter with the same clever wordplay on “One Of Those Days,” “Chemical,” “The Buck Stops Here” and “The Winter.” On “One Of Those Days,” Ap feels the wrath of his girl during that time of the month, “Two sides to her gettin’ it, the size of her bigger tits/But the downside is she cries over little shit/So fuckin’ sick of it, that gets ugly/And the yappin’ bugs me and it happens monthly.” On “Chemical” Apathy describes society’s dependence on drugs, from coke and weed to Ritalin and caffeine. “Red Bull pumps your energy/Weed fucks with memory/Coke mixed with Hennessy turns friends to enemies/Pills to stop pregnancies, slow the flow steadily/Incredible, we’re based on a chemical dependency.” Apathy’s impressive story telling continues on “The Buck Stops Here” where he follows the path of a dollar bill from a waitress to a little girl to a store clerk to a stickup man. The production is the only thing stopping this from reaching “classic” status, as it can be a little generic at times, but Apathy more than makes up for it with his prowess on the mic.
So there you have it. I want to take a second to give props to Gnarls Barkley’s St. Elsewhere. I didn’t include it on the list, because there’s no rapping on the disc, but musically it’s tremendous. It was definitely one of my favorite albums of 2006 and the title track, as well as “Crazy” are among my favorite songs of 2006. If you want a non “hip-hop” album with a very hip-hop feel, this is the perfect disc. Loved it from front to back.
Here we go…
Best Songs
20. “Mighty O” – Outkast
After Speakerboxxx/The Love Below became the biggest smash of 2005, ‘Kast made it to the big screen in Idlewild. With that came sort of a continuation of their previous release as Big Boi focused on the hip-hop side of things, while Andre 3000 continued with a more blue/R&B feel mixed with Cab Calloway. But this song, which was influenced by Calloway’s “Minnie The Moocher,” has both Andre and Big Boi spitting on the mic again. So refreshing to hear them both rhyming again.
19. “Back Again” – Dilated Peoples
One of the most consistent acts of the 2000’s, Dilated Peoples brought another underground gem with 20/20. This served as the first single and starts in grand fashion with Evidence flipping Diddy’s verse from “Bad Boy 4 Life” with, “Back again, for the very fourth time/Don’t worry if I write checks, I write rhymes.” The two go back and forth hitting another home run with another lead single. No surprise there.
18. “Say” – Method Man
Meth spits some introspective shit over an acoustic guitar and Lauryn Hill sample. This is far from “Bring The Pain,” but it worked. Mr. Mef rips commercial radio and then responds to his critics for poor reviews of Tical 0: The Prequel. To be fair, that album was a major disappointment, but I’ll give Meth the benefit of the doubt for spitting lines like this: “Cause Tical, he put his heart in every track he do.” If that’s the case, then that’s all you can ask for.
17. “Work It Out” – Jurassic 5 feat. Dave Matthews
This collaboration had me intrigued to say the least. While a lot of hip-hop heads hated the very idea of one of the underground’s favorites grabbing Dave Matthews for a track and a chance at some mainstream exposure, if you listened to the track you’d realize it worked. It was a feel good song that was great for summertime cookouts. And J5 didn’t fall off on the track. They still bring the goods.
16. “Growing Old” – Pigeon John
Pigeon John struck a chord with me on this song as he talks about the great hip-hop acts of old whose glory days were seemingly behind them. Or more importantly, that he was getting older and the hip-hop industry was changing drastically. He references the Beastie Boys, Dana Dane, JJ Fad, Fat Boys, De La Soul, Jungle Brothers, A Tribe Called Quest, 3rd Bass, Special Ed, KRS, Wu-Tang Clan and Souls of Mischief among others. Great look back on the old school and hip-hop acts that as PJ says, “Were ahead of their time.”
15. “Imagine” – Snoop Dogg feat. Dr. Dre & D’Angelo
Snoop’s Tha Blue Carpet Treatment was his best album since 1999, and one of the reasons why was more Dr. Dre production, the best of which came on this track. Apparently the beat was originally to be used on Busta Rhymes’ The Big Bang, but couldn’t get the sample cleared, so Snoop got the track. Glad that happened, because Dre and Snoop reunite for a great track that discusses life without hip-hop and gangbanging. Nice to hear D’Angelo again as well.
14. “De La Souls” – P.O.S.
One of the biggest pleasant surprises for me in 2006 was discovering P.O.S. As the newest signee to Rhymesayers Entertainment, home to Atmosphere and Brother Ali, I had to give him a listen. Glad I did. P.O.S. released an honest hip-hop album in Audition that touched on politics, heartbreak and a nod to the horror film that he took the album’s title from, while also mixing in elements of his punk rock past. This song is pure hip-hop as P.O.S. borrows from De La Soul’s “I Am I Be” (hence the song title) and puts his own spin on it over a sample of Bouncing Soul’s “Argyle.”
13. “Silly Girls” – Murs & 9th Wonder feat. Joe Scudda
Great track from the Murs-9th combo, as 9th Wonder samples Valerie Simpson’s “Silly Wasn’t I” to perfection. Murs spits two verses, with the second detailing his stalker ex-girlfriend whom Murs warns to back off before his current girl knocks her out. Scudda touches on a “hit it and quit it” relationship that develops into the girl getting too attached, so he gets with her friends.
12. “Cry Now” – Obie Trice
This was a Song of the Day a while back, as the energy on this track is tremendous. The beat is courtesy of Witt & Pep (can’t say I’m familiar with them) and uses a Bobby Blue Band sample to perfection. Obie brings some street shit and mixes some braggadocio to produce one of the best songs of his career. The 2nd verse may be my favorite as Trice spits, “This ain’t Detroit Red, you won’t X me out Malcolm/My exodus, will never be from a violent outcome/I turn Exorcist on n-ggaz wit extra clips/Exit on my ethics, is no longer present/X-rays show I was this close to Heaven/So for future reference I stay this close to a weapon.”
11. “Don’t Feel Right” – The Roots
I was torn between this and “Here I Come,” but I remember hearing this track on the radio for the first time before Game Theory dropped and I was souped up for the album. I was on the way to the bar on a Friday night and had the radio on, which is an absolute rarity for me, but they played this track for the first time and I’ve rocked it ever since. Black Thought hits on the prison system, dope dealing, mass weapon production and natural disasters as part of society’s ills. Not only does this track knock, but it’s got a great message too. Which is what makes The Roots great.
10. “Letter P” – Saigon feat. Kool G. Rap
Unbelievable performance from Saigon on this one. He was starting to get some buzz thanks to his Entourage appearances, but that show didn’t have shit on what Sai could do on the mic. Dude is a beast. I like the G. Rap verse as well, but it doesn’t compare to Saigon. “I pop a pussy person for purposely perpetrating/Point the pistol and pull it, this punk is impersonating…” It ranks up there with Blackalicious’ “Alphabet Aerobics” as one of the illest plays on words I’ve ever heard.
9. “No Apologies” – Eminem
Em didn’t give us a solo release in ’06, but he did drop The Re-Up to show off his Shady Records family. Not surprisingly Em was the true star of the show on this disc and this solo track was the true stand out. Eminem disappointed with 2004’s Encore, but showed what he still had in the tank with this track as he thumbed his nose at the critics.
8. “It’s Okay (One Blood)” – The Game
Game had the same idea as the Wu by resurrecting Junior Reid’s “One Blood” for this banger. This version is much more upbeat than Wu-Tang’s “One Blood Under The W” as Game sounds hungry on the first single off his sophomore effort. This song still gets me amped when I hear it.
7. “The Winter” – Apathy
Ap shows just how great of a song writer he is on this one as he paints a vivid picture of dealing with life in the freezing weather. Describing everything from starting the car 10 minutes early to get the heat started to sippin’ chicken broth and orange juice when you’re sick, Ap offers a perspective all can relate to in describing, “The season when Timberlands replace our sneakers.”
6. “You Know I’m No Good” – Ghostface Killah feat. Amy Winehouse
I heard this track before I had any idea who Amy Winehouse was. I remember hearing the hook and thinking, “Damn, that girl can sing,” but I figured it was an old soul sample or something. I couldn’t be more impressed when I heard the original version and heard Winehouse’s vocals. It’s crazy to think it’s only five years later and she’s passed away. As for the song itself, it works so well as Ghost flips it over the original beat.
5. “Bullet” – Rhymefest feat. Citizen Cope
Real talk on this one from Rhymefest. The first verse describes a youth shot down fighting overseas, verse 2 discusses the ill (literally) effects of unprotected sex with multiple partners and the third and final verse touches on gang violence. It’s such a well written song and the use of Citizen Cope’s “Bullet & A Target” really pulled the song together perfectly.
4. “Daydreamin’” – Lupe Fiasco feat. Jill Scott
Speaking of unbelievably well written songs, it’s hard to top this one from Lupe. The concept of riding a robot through the city and observing all the streets ills is both original and well executed. Lupe showed why there was so much hype surrounding him on his first album and this song is the truest testament to his talents as a song writer. Great social commentary, great sample of “Daydream In Blue,” and Jill Scott kills it on the hook.
3. “Lost One” – Jay-Z feat. Chrisette Michelle
Dr. Dre with one of my favorite beats of the year and Jay does it justice with a great introspective track. Verse 1 discusses his fallout with Dame, verse 2 discusses his struggles with maintaining a relationship in showbiz (which doesn’t really work now that he and Beyonce are married, but whatever, the verse is still nice) and verse 3, my favorite of the three, finds Jay reflecting on the death of his nephew. Really personal shit and one of my favorite Hov tracks ever.
2. “Hip-Hop Is Dead” – Nas
Dude loved the “In-A-Gadda-Da-Vida” sample so much he had to flip it again. This time will.i.am is credited with the production, although Salaam Remi sampled it originally for 2004’s “Thief’s Theme.” Nas introduced a phrase on this song that is still being tossed around today by artists and hip-hop fans alike. And while I’ve never considered hip-hop to be “dead,” it was a great commentary on the way the music industry was shifting and the market was getting flooded with more and more unoriginal, uninspiring bullshit tracks that were made to sell ring tones. Nas, one of the greatest MCs of all time, was the perfect authority for the subject and absolutely slayed this track. “Everybody sounds the same/Commercialize the game/Reminiscin’ when it wasn’t all business/It forgot where it started/So we all gather here for the dearly departed.”
1. “War With God” – Ludacris
Probably the least expected No. 1 song I’ve had on any list, but it deserves the No. 1 spot. Luda is an absolute beast on this track and the sample is amazing. Using Billy Paul’s “War of the Gods,” Ludacris spits three amazing verses with insight and ferocity all balled into one. There’s no question Luda put his heart into this track and it delivers amazing results. He discusses his position in the rap game, talks about giving back to the children for good karma and warns rappers, “So unless you usin’ tampons, quit actin’ stuck up/And do like your records say or shut the fuck up!” I remember hearing this song for the first time and loving it instantaneously, and now, five years later, it’s the song that always gets my attention whenever it comes on. I made a Best of ’06 mix in the beginning of ’07 and “Hip-Hop Is Dead” is the first track (which usually means it’s my favorite song of the year), but listening to that mix now it’s “War With God” that always gets me to crank up the volume and grabs my full attention.
Best Albums
10. And The Summertime Pool Party – Pigeon John
I’m a huge Pigeon John fan. I find his music so easy to listen to and so enjoyable. There’s no bullshit, just fun hip-hop music, with John usually taking pot shots at himself. The second half of this album is so strong that it bumped P.O.S.’s Audition and Game’s Doctor’s Advocate off the list. “One For The…” features a show stealing verse from Brother Ali (no surprise there), “The Last Sunshine” features production from the great RJD2 and another show stealing verse from J-Live (again, no surprise), and “Weight Of The World” finds John dealing with the everyday struggles of car payments, bills, stress and the like. “As We Know It” finds John having a discussion with Jesus and asking the questions we’ve all thought about at one point or another. And then the album wraps up with the aforementioned “Growing Old” one of my top 20 songs of the year.
9. Murray’s Revenge – Murs & 9th Wonder
The follow-up to Murs 3:16: The 9th Edition, this album is chock full of excellent music. One of my favorites is the first track “Murs Day,” I just wish it clocked in at more than 1:54. One more verse would’ve been great! I discussed “Silly Girl” above, while “Barbershop” features 9th’s Little Brother brethren Big Pooh sharing the mic with Murs. “Yesterday & Today” is a great concept song, as Murs details his life struggles. It’s the truth. “Love & Appreciate” and “Murray’s Revenge” are also standouts on one of the year’s most consistent albums.
8. Release Therapy – Ludacris
This album is either hit or miss the whole way through, but when it’s good, it’s real good. “Grew Up A Screw Up” is an absolute banger and although I’m not a Young Jeezy fan, I finally found a song he was on that I liked. The Biggie sample for the hook is tremendous as well. “Mouths To Feed,” “Tell It Like It Is,” and “War With God” are all excellent, while “Slap” and “Runaway Love” are both quality tracks. “Runaway Love” was actually a great song, until I heard it 1,000,000 times and got sick of it. The lead single, “Money Maker” was meh, while the Field Mob assisted “Ultimate Satisfaction” is a guilty pleasure of mine.
7. Kingdom Come – Jay-Z
This album really was all over the place. In spots, it’s great. In other’s it’s just blah. “Oh My God” and the title track where tremendous in kicking off the album. I love both of those tracks. But then comes the lead single, which I questioned when it came out and still question to this day, in “Show Me What You Got.” The video was a big budget production with Danica Patrick and Dale Earnhardt Jr., but it was all sizzle and no steak. The song was much the same. I was not impressed. Then “Lost One” dropped and I was back on board immediately. The other standouts are “Minority Report” which finds Jay discussing the aftermath of Hurricane Katrina and “Beach Chair” which features Chris Martin of Coldplay. Ballsy choice, but it was the right move.
6. Blue Collar – Rhymefest
I really enjoyed Rhymefest’s debut album and if not for a few misses, it may’ve been a top 5 album of ’06. “All I Do” sounds way too much like Jay-Z’s “All I Need” and “Stick” bears a resemblance to David Banner’s “Play” which I absolutely hated. “Chicago-Rillas” was also a bit off the mark for me. But the rest is pretty much terrific. “Dynomite,” “Brand New,” “Fever,” “More,” “Devil’s Pie,” “Bullet,” and “Tell A Story” were all in heavy rotation for me in ’06, and to top it all off the album ended with Ol’ Dirty Bastard singing “Build Me Up Buttercup” on “Build Me Up.” How can it get any better than that?
5. Fishscale – Ghostface Killah
2006 was a busy year for Ghostface, as he released Fishscale and More Fish in the same year. Fishscale featured so much great music, thanks to a slew of all-star producers including Just Blaze, MF Doom, J. Dilla and Pete Rock. Ghost also gets production credits for “Big Girl” which sounds like it would fit right in with the Pretty Toney Album as Ghost spits directly on top of the Stylistics’ “You’re A Big Girl Now.” The album gets off to an outstanding start with “Shakey Dog,” “Kilo” and “The Champ” and then Doom brings his production talents to “9 Milli Bros.” which features the entire Wu-Tang Clan. When’s the last time you heard the entire Wu on someone’s solo project? The shit got me so amped when I heard it, I didn’t know what to do. The Pete Rock produced “Be Easy” is another absolute gem as is the Dilla produced “Whip You With A Strap.” There are some throwaway tracks, as the album is 23 tracks long, but Ghost delivered again with this one.
4. Food & Liquor – Lupe Fiasco
The debut disc from Lupe was one of the most well rounded and cohesive offerings of ’06. Excuse me for not deeming it a classic, but it was certainly an excellent effort that showed Lupe was going to be a factor in this game for years to come. This disc touches on a vast array of topics from his love to skate boarding on “Kick, Push,” broken homes on “He Say She Say,” race on “American Terrorist” and the powerful grip of television on America’s youths on “The Instrumental.” But it’s the creative story telling on “Daydreamin’,” and “The Cool” that put this album into another category for me. And then there’s “Hurt Me Soul” which would’ve been in my Top 10 for Best Songs if “Daydreamin’” wasn’t on this album. That track is amazing, as evidenced by the first chorus, “My mom can’t feed me/My boyfriend beats me/I have sex for money/The hood don’t love me/The cops wanna kill me/This nonsense built me/And I got no place to go/They bomb my village/They call us killers/Took me off they welfare/Can’t afford they health care/My teacher won’t teach me/My master beats me/And it hurts my soul.”
3. Hip-Hop Is Dead – Nas
Even though he pronounced “Hip-Hop Is Dead,” Nas released an excellent hip-hop record in ’06. The album is solid from start to finish, as “Money Over Bullshit” kicks things off in fine fashion, while “Carry On Tradition,” “Where Are They Now,” “Hip-Hop Is Dead,” and “Who Killed It?” are all great odes to the culture that Nas is proclaiming to be deceased. The album also saw the much anticipated dream collaboration between Esco and Jay-Z on “Black Republican” which is an absolute banger. “Not Going Back” is Nas saying farewell to a life on the streets, while Kanye West joins Nas for the terrific “Still Dreaming.” Then come two of my absolute favorites in “Let There Be Light” and “Can’t Forget About You” featuring Tre Williams and Chrisette Michelle respectively. All in all, it’s another victory in a Hall of Fame career.
2. Game Theory – The Roots
I remember the weekend before this album dropped I came home from work on a Saturday night and popped the television on while I had a beer before heading to the bar for the night. I scrolled through some music channels and found one that was giving an exclusive sneak peak to the entire album before it was released. I planned to only watch TV for 10 minutes before the bar, but I ended up staying on the recliner and listening to the entire album. I was sucked in from the start and it gave the album special meaning to me ever since. The album starts and ends as a tribute to J Dilla, sandwiched between some of the darkest, most meaningful music of the group’s career. Black Thought is on top of his game throughout, spitting about the media, natural disasters, war, politics, the music industry and personal battles. So many standouts on here, but my favorites are “Don’t Feel Right,” “In The Music,” “Take It There,” “Here I Come,” “Long Time” and “Clock With No Hands.” It’s grown folks music and it’s true hip-hop to the fullest.
1. Eastern Philosophy – Apathy
In the same year that Nas declared “Hip-Hop Is Dead,” Apathy dropped an album that sounds like it was straight out of 1993-95, the glory years of hip-hop and evidence that hip-hop was alive and well. This album is a throwback to early ‘90’s East Coast hip-hop and has Ap destroying the mic over samples of Onyx, Gang Starr and Jay-Z. “1,000 Grams” is some straight boom bap hip-hop and “All About Crime” is an ode to the gritty street anthems of the ‘90’s. “9 to 5” finds Apathy and Emilio Lopez describing the grind, as Ap spits, “Broke mind state only gets me mad/I rather be a sugar daddy than a deadbeat dad.” Celph Titled and Ryu join Ap for the excellent “Can’t Leave Rap Alone” where Celph says, “Old timers ask me where I got my pimp game from/Cause I got 99 bitches and ain’t a problem with one.” And that’s what makes this album so great. It’s lyrics and punchlines and it was just what the game needed at the time. Apathy shows that he’s more than punchlines and battle raps, as he tackles subject matter with the same clever wordplay on “One Of Those Days,” “Chemical,” “The Buck Stops Here” and “The Winter.” On “One Of Those Days,” Ap feels the wrath of his girl during that time of the month, “Two sides to her gettin’ it, the size of her bigger tits/But the downside is she cries over little shit/So fuckin’ sick of it, that gets ugly/And the yappin’ bugs me and it happens monthly.” On “Chemical” Apathy describes society’s dependence on drugs, from coke and weed to Ritalin and caffeine. “Red Bull pumps your energy/Weed fucks with memory/Coke mixed with Hennessy turns friends to enemies/Pills to stop pregnancies, slow the flow steadily/Incredible, we’re based on a chemical dependency.” Apathy’s impressive story telling continues on “The Buck Stops Here” where he follows the path of a dollar bill from a waitress to a little girl to a store clerk to a stickup man. The production is the only thing stopping this from reaching “classic” status, as it can be a little generic at times, but Apathy more than makes up for it with his prowess on the mic.
So there you have it. I want to take a second to give props to Gnarls Barkley’s St. Elsewhere. I didn’t include it on the list, because there’s no rapping on the disc, but musically it’s tremendous. It was definitely one of my favorite albums of 2006 and the title track, as well as “Crazy” are among my favorite songs of 2006. If you want a non “hip-hop” album with a very hip-hop feel, this is the perfect disc. Loved it from front to back.
Saturday, August 13, 2011
Album Review: Jay-Z & Kanye West - Watch The Throne
A Jay-Z or Kanye West solo project is always among the most anticipated albums of the year, so it’s no surprise that the hype for their joint venture Watch The Throne was off the charts. 
Going into the project, I will say that my expectations weren’t as high given the release of “H.A.M.” as well as the normal let downs suffered by “super collaborations.”
But I did still expect great stuff given the track record of both artists individually and collectively. “Never Let Me Down,” “Diamonds From Sierra Leone (Remix),” “Run This Town,” and “Monster” are all top-notch Jay & ‘Ye collaborations. Not to mention the Pete Rock produced “The Joy” which was part of Kanye’s G.O.O.D. Friday’s releases. Their catalog speaks for itself.
The comparisons to classics like The Blueprint, Reasonable Doubt, College Dropout or My Beautiful Dark Twisted Fantasy may not be fair, but their inevitable. Those albums are the standards set by Jay and Kanye and that’s what this had to live up to.
So how would Watch The Throne fair? Initial reaction was good, not great. After repeated listens, the verdict remains the same. It’s good. It’s enjoyable. It has some highlights. But it’s not great. It’s not an instant classic. It’s not the album of the year. It’s just good.
The album opens with “No Church In TheWild,” featuring Frank Ocean on the hook. It’s a good opener, as Jay seems primed right from the start. The only thing I have to question is the inclusion of The-Dream singing some auto-tune in between the first and second verses. Didn’t Jay put auto-tune to bed with “D.O.A.” And now he’s got it on one of his projects? On the other hand, Kanye loves him some auto-tune so I guess he got his way on this one.
Next up is “Lift Off” featuring Beyonce. This is the weakest song on the album for Hov and Yeezy as they hardly make an impact on this track. They should’ve added a verse from Beyonce and just stuck it on her latest album instead of putting it on here.
“Ni**as In Paris” follows and it’s a song I could easily hate, but at times enjoy. In terms of overall quality, it’s a throwaway track, there’s no doubt about it. But I do like some of the lines on here, especially Kanye’s line, “Prince William ain’t do it right if you ask me/Cause if I was him I would have married Kate and Ashley.” Otherwise the song’s pretty forgettable.
One of my favorite joints is next in “Otis,” the album’s lead single (kind of, depending if you count “H.A.M.”) This shit is so soulful as Jay and Kanye spit right on top of an Otis Redding sample of “Try A Little Tenderness.” This shit bangs, no doubt about it. It’s no surprise every rapper in the game has recorded their version over the instrumental to this track. This is one of the few moments on the disc that reminds me of The Blueprint or College Dropout, when you hear a song and you go “Oh shit, that’s nice!”
The album rides the momentum built by “Otis” nicely over the next two tracks, as the Neptunes use a James Brown sample for “Gotta Have It” and Jay and Kanye go back-and-forth on the mic, giving us a nod to the old school without sounding dated. Then comes the song that fans and critics alike are throwing a lot of praise on, the RZA produced “New Day.” I will say the production is nice and the concept is even better as Kanye and Jay spit verses to their unborn sons. It’s perhaps the only humble track on the album as Kanye opens up with advice for his son to avoid all the mistakes he’s made. It’s refreshing to take a break from all the designer names and black card references that flood this album.
“That’s My Bitch” is another miss, as I loved the Public Enemy influenced sample for the hook, but the rest of the song falls flat. It’s not a bad song, but it’s nothing more than filler. As I’ve listened to the album more and more, it’s apparent that this song will always be forgettable for me.
“Welcome To The Jungle” is another of my favorites, with the exception of Swizz Beatz yelling. I said this in an earlier post, but I’ll repeat it, this isn’t a mixtape! There’s no need for anyone to be yelling over Jay’s vocals. I hate it on mixtapes too, but I understand it comes with the territory. But this is supposed to be a monumental, blockbuster album and you got someone acting like a damn mixtape DJ on one of your best songs? Unacceptable.
“Who Gon Stop Me” takes a sample from Flux Pavilion’s “I Can’t Stop” to allow Jay and ‘Ye to create their version of dubstep. I’ll give them credit for stepping out of their comfort zone and trying a new style on for size, but I hope this isn’t a trendsetter for hip-hop. Dubstep has its own place in music, and as someone who lived in England at one time I understand the importance of dubstep to the club scene overseas, but I’m a hip-hop head through and through and this is supposed to be a hip-hop album, so one such song is enough. I’m not close minded to other music, but this is Jay and Yeezy, give me “Heart of the City,” not dubstep.
And just as I hope for “Heart of the City,” I get “Murder to Excellence” which is one of the best head nodding hip-hop songs on the album. The first half (or “Murder” half) has Jay and Kanye discussing black-on-black crime over a great beat from Swizz. The second portion is the S1 produced celebration of black success. Great concept for this song and it’s executed to perfection. Both beats compliment each other just right and Hov and ‘Ye provide good commentary on both.
Frank Ocean returns for “Made In America” with a chorus that makes me chuckle inside every time I hear it. I’m sorry, but when Ocean sings “Sweet Baby Jesus,” I picture Ricky Bobby saying his prayers in Talladega Nights. It slays me every time. As for the song itself, I love Kanye’s verse talking about his mom introducing him to No I.D. and then spitting, “Ni**as hustle every day for a beat from Ye/What I do? Turn around and gave them beats to Jay/And I’m rappin’ on the beat they was supposed to buy/I guess I get high off my own supply.”
“Why I Love You” sounds like it belongs on The Blueprint 3 as Mr. Hudson shows up for the hook. Hov absolutely slays this track lyrically with one of the best lines on the disc, “Caesar didn’t see it so he ceased to exist/So the ni**a that killed him had keys to his shit.” This is definitely a Jay-dominated track as Kanye makes little impact.
As for the bonus tracks, it’s a combination of good and bad. “Illest Motherf**ker Alive” would be okay, but as I stated in an earlier post these assholes decided to start the track with 3 minutes of dead silence. There’s dumb shit out there and then there’s unacceptable nonsense like this. Yes, it’s better than listening to 3 minutes of a Waka Flocka Flame song, but that doesn’t make it right. After a few listens, I skip the song now because I’m so irritated with it.
“H.A.M.” left me feeling meh the first time I heard it and it hasn’t grown on me at all. I’m sure the initial response to the song is what made Jay and Kanye push the album back initially because it’s very uninspiring.
The best reasons to buy the Deluxe Edition are “Primetime” and “The Joy.” No I.D. comes correct on “Primetime” as Jay brings some more heat on the mic. Okay, so I already had “The Joy” from the G.O.O.D. Friday downloads, but if you haven’t heard it, you need it! It’s tremendous. Kanye should’ve switched “So Appalled” with “The Joy” on My Beautiful Dark Twisted Fantasy. In fact, it would’ve made even more sense now since MBDTF is far superior to Watch The Throne, much like “The Joy” is far superior to “So Appalled.” Great way to end the disc.
So is Watch The Throne worth adding to your collection? Certainly. It’s got enough good music to make it a worthwhile album. But it’s not going to go down in history as one of the all-time great albums. It’s been 7 years since The College Dropout was released, 10 years since The Blueprint came out and 15 years since Reasonable Doubt dropped and all three are still classics that deserve regular rotation. Watch The Throne will not have that sort of shelf life and that’s where it falls short.
Final Grade: B
But I did still expect great stuff given the track record of both artists individually and collectively. “Never Let Me Down,” “Diamonds From Sierra Leone (Remix),” “Run This Town,” and “Monster” are all top-notch Jay & ‘Ye collaborations. Not to mention the Pete Rock produced “The Joy” which was part of Kanye’s G.O.O.D. Friday’s releases. Their catalog speaks for itself.
The comparisons to classics like The Blueprint, Reasonable Doubt, College Dropout or My Beautiful Dark Twisted Fantasy may not be fair, but their inevitable. Those albums are the standards set by Jay and Kanye and that’s what this had to live up to.
So how would Watch The Throne fair? Initial reaction was good, not great. After repeated listens, the verdict remains the same. It’s good. It’s enjoyable. It has some highlights. But it’s not great. It’s not an instant classic. It’s not the album of the year. It’s just good.
The album opens with “No Church In TheWild,” featuring Frank Ocean on the hook. It’s a good opener, as Jay seems primed right from the start. The only thing I have to question is the inclusion of The-Dream singing some auto-tune in between the first and second verses. Didn’t Jay put auto-tune to bed with “D.O.A.” And now he’s got it on one of his projects? On the other hand, Kanye loves him some auto-tune so I guess he got his way on this one.
Next up is “Lift Off” featuring Beyonce. This is the weakest song on the album for Hov and Yeezy as they hardly make an impact on this track. They should’ve added a verse from Beyonce and just stuck it on her latest album instead of putting it on here.
“Ni**as In Paris” follows and it’s a song I could easily hate, but at times enjoy. In terms of overall quality, it’s a throwaway track, there’s no doubt about it. But I do like some of the lines on here, especially Kanye’s line, “Prince William ain’t do it right if you ask me/Cause if I was him I would have married Kate and Ashley.” Otherwise the song’s pretty forgettable.
One of my favorite joints is next in “Otis,” the album’s lead single (kind of, depending if you count “H.A.M.”) This shit is so soulful as Jay and Kanye spit right on top of an Otis Redding sample of “Try A Little Tenderness.” This shit bangs, no doubt about it. It’s no surprise every rapper in the game has recorded their version over the instrumental to this track. This is one of the few moments on the disc that reminds me of The Blueprint or College Dropout, when you hear a song and you go “Oh shit, that’s nice!”
The album rides the momentum built by “Otis” nicely over the next two tracks, as the Neptunes use a James Brown sample for “Gotta Have It” and Jay and Kanye go back-and-forth on the mic, giving us a nod to the old school without sounding dated. Then comes the song that fans and critics alike are throwing a lot of praise on, the RZA produced “New Day.” I will say the production is nice and the concept is even better as Kanye and Jay spit verses to their unborn sons. It’s perhaps the only humble track on the album as Kanye opens up with advice for his son to avoid all the mistakes he’s made. It’s refreshing to take a break from all the designer names and black card references that flood this album.
“That’s My Bitch” is another miss, as I loved the Public Enemy influenced sample for the hook, but the rest of the song falls flat. It’s not a bad song, but it’s nothing more than filler. As I’ve listened to the album more and more, it’s apparent that this song will always be forgettable for me.
“Welcome To The Jungle” is another of my favorites, with the exception of Swizz Beatz yelling. I said this in an earlier post, but I’ll repeat it, this isn’t a mixtape! There’s no need for anyone to be yelling over Jay’s vocals. I hate it on mixtapes too, but I understand it comes with the territory. But this is supposed to be a monumental, blockbuster album and you got someone acting like a damn mixtape DJ on one of your best songs? Unacceptable.
“Who Gon Stop Me” takes a sample from Flux Pavilion’s “I Can’t Stop” to allow Jay and ‘Ye to create their version of dubstep. I’ll give them credit for stepping out of their comfort zone and trying a new style on for size, but I hope this isn’t a trendsetter for hip-hop. Dubstep has its own place in music, and as someone who lived in England at one time I understand the importance of dubstep to the club scene overseas, but I’m a hip-hop head through and through and this is supposed to be a hip-hop album, so one such song is enough. I’m not close minded to other music, but this is Jay and Yeezy, give me “Heart of the City,” not dubstep.
And just as I hope for “Heart of the City,” I get “Murder to Excellence” which is one of the best head nodding hip-hop songs on the album. The first half (or “Murder” half) has Jay and Kanye discussing black-on-black crime over a great beat from Swizz. The second portion is the S1 produced celebration of black success. Great concept for this song and it’s executed to perfection. Both beats compliment each other just right and Hov and ‘Ye provide good commentary on both.
Frank Ocean returns for “Made In America” with a chorus that makes me chuckle inside every time I hear it. I’m sorry, but when Ocean sings “Sweet Baby Jesus,” I picture Ricky Bobby saying his prayers in Talladega Nights. It slays me every time. As for the song itself, I love Kanye’s verse talking about his mom introducing him to No I.D. and then spitting, “Ni**as hustle every day for a beat from Ye/What I do? Turn around and gave them beats to Jay/And I’m rappin’ on the beat they was supposed to buy/I guess I get high off my own supply.”
“Why I Love You” sounds like it belongs on The Blueprint 3 as Mr. Hudson shows up for the hook. Hov absolutely slays this track lyrically with one of the best lines on the disc, “Caesar didn’t see it so he ceased to exist/So the ni**a that killed him had keys to his shit.” This is definitely a Jay-dominated track as Kanye makes little impact.
As for the bonus tracks, it’s a combination of good and bad. “Illest Motherf**ker Alive” would be okay, but as I stated in an earlier post these assholes decided to start the track with 3 minutes of dead silence. There’s dumb shit out there and then there’s unacceptable nonsense like this. Yes, it’s better than listening to 3 minutes of a Waka Flocka Flame song, but that doesn’t make it right. After a few listens, I skip the song now because I’m so irritated with it.
“H.A.M.” left me feeling meh the first time I heard it and it hasn’t grown on me at all. I’m sure the initial response to the song is what made Jay and Kanye push the album back initially because it’s very uninspiring.
The best reasons to buy the Deluxe Edition are “Primetime” and “The Joy.” No I.D. comes correct on “Primetime” as Jay brings some more heat on the mic. Okay, so I already had “The Joy” from the G.O.O.D. Friday downloads, but if you haven’t heard it, you need it! It’s tremendous. Kanye should’ve switched “So Appalled” with “The Joy” on My Beautiful Dark Twisted Fantasy. In fact, it would’ve made even more sense now since MBDTF is far superior to Watch The Throne, much like “The Joy” is far superior to “So Appalled.” Great way to end the disc.
So is Watch The Throne worth adding to your collection? Certainly. It’s got enough good music to make it a worthwhile album. But it’s not going to go down in history as one of the all-time great albums. It’s been 7 years since The College Dropout was released, 10 years since The Blueprint came out and 15 years since Reasonable Doubt dropped and all three are still classics that deserve regular rotation. Watch The Throne will not have that sort of shelf life and that’s where it falls short.
Final Grade: B
Friday, August 12, 2011
Song of the Day
CunninLynguists feat. Big K.R.I.T. - "Murder (Act II)"
This serves as the second act after "Hard As They Come (Act I)" featuring Freddie Gibbs. I featured "Hard As They Come" as a Song of the Day a while back and it remains one of my favorite songs of the year. In that song, the three MCs spit in the perspective of alcohol, crack and HIV. On "Murder" K.R.I.T. spits his verse as the president, while Natti portrays religion as a murderous weapon. Interesting verses from both and certainly a worthy follow-up to "Hard As They Come." If you haven't heard Oneirology yet, you need to get on that immediately. The album is terrific. One of the year's best with ease.
This serves as the second act after "Hard As They Come (Act I)" featuring Freddie Gibbs. I featured "Hard As They Come" as a Song of the Day a while back and it remains one of my favorite songs of the year. In that song, the three MCs spit in the perspective of alcohol, crack and HIV. On "Murder" K.R.I.T. spits his verse as the president, while Natti portrays religion as a murderous weapon. Interesting verses from both and certainly a worthy follow-up to "Hard As They Come." If you haven't heard Oneirology yet, you need to get on that immediately. The album is terrific. One of the year's best with ease.
Thursday, August 11, 2011
Song of the Day
Pharoahe Monch - "Evolve"
I've only heard W.A.R. once, but I gotta give it more listens 'cause Pharoahe's a lyrical giant. One of my favorite MCs on the planet. The beat on this track is laid back and has some soul to it, as it really is a backdrop for Pharoahe to rip the mic apart for 2 and half minutes. Great lines on this song, including "Grade school mathematics examining thugs/They discuss bloods, crips, techs, jammin' and drugs/I speak of world peace, war, famine and flood/Watchin' Pan's Labyrinth while I'm unraveling bud/Gambling on the next rapper to die in the hood" and my favorite "And pardon if it sounds a little wheezy/Not Wayne, motherfuckers I got asthma, it's not easy/Shotgun lyrical, cock back, squeeze me/Women case my anatomy, touch me, tease me." That shit is so ill!
I've only heard W.A.R. once, but I gotta give it more listens 'cause Pharoahe's a lyrical giant. One of my favorite MCs on the planet. The beat on this track is laid back and has some soul to it, as it really is a backdrop for Pharoahe to rip the mic apart for 2 and half minutes. Great lines on this song, including "Grade school mathematics examining thugs/They discuss bloods, crips, techs, jammin' and drugs/I speak of world peace, war, famine and flood/Watchin' Pan's Labyrinth while I'm unraveling bud/Gambling on the next rapper to die in the hood" and my favorite "And pardon if it sounds a little wheezy/Not Wayne, motherfuckers I got asthma, it's not easy/Shotgun lyrical, cock back, squeeze me/Women case my anatomy, touch me, tease me." That shit is so ill!
Wednesday, August 10, 2011
Song of the Day
Jay-Z & Kanye West - "Murder to Excellence"
Been listening to Watch The Throne constantly since Monday and still not sure where I stand on it. I stand by my original assessment that it's good, not great, and anyone calling it a "classic" is nuts, but I'm still not sure exactly where I'd rank it. This song is one of my favorites off the album with ease. The song is broken into two halves and the first half is my favorite of the two as Swizz Beatz offers a great soundscape for Jay and 'Ye to discuss black-on-black crime (and Swizz doesn't yell all over it like on "Welcome To The Jungle" - dude, this ain't a mixtape, no need for you to yell over a song!!!) The second half is real nice too, as S1 steps up with a nice beat to compliment the first half and Kanye and Hov are in celebration mode. It's a great commentary on the difference between being in the streets and making it to the limelight.
Been listening to Watch The Throne constantly since Monday and still not sure where I stand on it. I stand by my original assessment that it's good, not great, and anyone calling it a "classic" is nuts, but I'm still not sure exactly where I'd rank it. This song is one of my favorites off the album with ease. The song is broken into two halves and the first half is my favorite of the two as Swizz Beatz offers a great soundscape for Jay and 'Ye to discuss black-on-black crime (and Swizz doesn't yell all over it like on "Welcome To The Jungle" - dude, this ain't a mixtape, no need for you to yell over a song!!!) The second half is real nice too, as S1 steps up with a nice beat to compliment the first half and Kanye and Hov are in celebration mode. It's a great commentary on the difference between being in the streets and making it to the limelight.
Tuesday, August 9, 2011
New Release Tuesday (Monday actually)
Alright y'all, as most of you already know Jay-Z and Kanye West's Watch The Throne album dropped exclusively on iTunes on Monday at midnight. There are two versions, the regular for $11.99 and the Deluxe Edition for $14.99. Since I had an iTunes gift card, I splurged and got the Deluxe Edition, even though I already had two of the four bonus tracks. I've listened to the album in its entirety once and my first reaction is it's good, but not great. 
Both Jay and Kanye have put out far better music than this before. I do need to give it more than one listen to really come up with a conclusion, but I can tell you that Reasonable Doubt, The Blueprint, The Black Album, The College Dropout, Late Registration, Graduation and My Beautiful Dark Twisted Fantasy all grabbed me on my first listen and this didn't even come close. Some of the songs were really kind of bad.
I hope to actually get a review of the album up, even though I've been awful at getting reviews in, but I think this album is big enough to give a true review. I will tell you this, if you do buy the Deluxe Edition, don't be alarmed by the 3 minutes of silence before track 13 "Illest Motherf*cker Alive," it is supposed to be there. Don't ask me why, as it's the most obnoxious and ignorant thing you'll find and it actually breaks up the flow of your listening pleasure, but for whatever reason some asshole thought it would be a good idea to stick 3 minutes of absolute silence in before the song begins. Seriously, stop this stupid bullshit. I hate skits and interludes, I hate that albums have to have an intro and outro and I hate dickhead moves like 3 minutes of silence before a song starts! It's not like it's a hidden track that you have to wait to unlock. No, it's track No. 13!!! Sorry, I had to vent about this. When I do review the album, I may knock it down a few points because of this.
There are some high points on the album such as "Otis," "New Day," "Welcome To The Jungle," and "Murder To Excellence," but again I have to digest the album a few more times to really be able to give an accurate review.
Also dropping yesterday via iTunes was Royce 5'9's Success Is Certain. I have heard several tracks off that disc as well and all are fire. Eminem, DJ Premier, Kid Vicious, Joe Budden, Nottz, Adonis and Travis Barker are among the collaborators on the album. Em brings the hook for "Writer's Block" (great song title!!!) and Premo brings an absolute banger on "Second Place," showing why Royce and Premier make an incredible duo when they work together. The album is also available with a Deluxe Edition on iTunes which includes the DJ Premier remix of "Writer's Block," so check that out as well. I will be giving this album my full attention once I've given Watch The Throne a few more spins.
I hope to actually get a review of the album up, even though I've been awful at getting reviews in, but I think this album is big enough to give a true review. I will tell you this, if you do buy the Deluxe Edition, don't be alarmed by the 3 minutes of silence before track 13 "Illest Motherf*cker Alive," it is supposed to be there. Don't ask me why, as it's the most obnoxious and ignorant thing you'll find and it actually breaks up the flow of your listening pleasure, but for whatever reason some asshole thought it would be a good idea to stick 3 minutes of absolute silence in before the song begins. Seriously, stop this stupid bullshit. I hate skits and interludes, I hate that albums have to have an intro and outro and I hate dickhead moves like 3 minutes of silence before a song starts! It's not like it's a hidden track that you have to wait to unlock. No, it's track No. 13!!! Sorry, I had to vent about this. When I do review the album, I may knock it down a few points because of this.
There are some high points on the album such as "Otis," "New Day," "Welcome To The Jungle," and "Murder To Excellence," but again I have to digest the album a few more times to really be able to give an accurate review.
Also dropping yesterday via iTunes was Royce 5'9's Success Is Certain. I have heard several tracks off that disc as well and all are fire. Eminem, DJ Premier, Kid Vicious, Joe Budden, Nottz, Adonis and Travis Barker are among the collaborators on the album. Em brings the hook for "Writer's Block" (great song title!!!) and Premo brings an absolute banger on "Second Place," showing why Royce and Premier make an incredible duo when they work together. The album is also available with a Deluxe Edition on iTunes which includes the DJ Premier remix of "Writer's Block," so check that out as well. I will be giving this album my full attention once I've given Watch The Throne a few more spins.
Sunday, August 7, 2011
Song of the Day
Common Market - "Re-Fresh"
I was listening to my ABC's of Hip-Hop playlist on the beach last week and after Common's "G.O.D." finished, I heard the horns kick in on this song and went, "Whoa!" I haven't heard this song in a while and was really happy when it came on. Common Market rep out of Seattle and bring some tremendous underground hip-hop right here. I remember wanted to write about it in the moment, but didn't have computer access while on the beach, so I bring it to you now. Enjoy!
I was listening to my ABC's of Hip-Hop playlist on the beach last week and after Common's "G.O.D." finished, I heard the horns kick in on this song and went, "Whoa!" I haven't heard this song in a while and was really happy when it came on. Common Market rep out of Seattle and bring some tremendous underground hip-hop right here. I remember wanted to write about it in the moment, but didn't have computer access while on the beach, so I bring it to you now. Enjoy!
Saturday, August 6, 2011
Song of the Day
Jay-Z feat. Chris Martin - "Beach Chair"
Just got back from a week at Martha's Vineyard. Shout out to the Inkwell! I put this track on when I got on the beach and just stared out into the water. The shit was unbelievable mood music. Of course this song has much deeper meaning than sitting on the beach, but it still worked amazingly well. I didn't love Kingdom Come, but there were a few highlights on it including this track. Adding Chris Martin was a great touch as well, as having an R&B singer wouldn't have had the same effect. Damn, I want to go back to the beach!
Just got back from a week at Martha's Vineyard. Shout out to the Inkwell! I put this track on when I got on the beach and just stared out into the water. The shit was unbelievable mood music. Of course this song has much deeper meaning than sitting on the beach, but it still worked amazingly well. I didn't love Kingdom Come, but there were a few highlights on it including this track. Adding Chris Martin was a great touch as well, as having an R&B singer wouldn't have had the same effect. Damn, I want to go back to the beach!
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