Thursday, March 31, 2011

Song of the Day

1982 feat. Mac Miller - "82-92"
Haven't warmed up to Mac Miller yet, but this is the best effort I've heard from him to this point. Dude's only 19 and is already getting love from the underground, so he's got time. As for Termanology, he owns this track. Term can absolutely suck me in at times when he's spitting and this is a prime example. His first verse is bananas. And of course Statik Selektah delivers another gem on the boards. They should've put this on the album, but it is available as a single on iTunes.

Wednesday, March 30, 2011

Song of the Day

The Coup - "Fat Cats and Bigga Fish"
The Coup had no problem expressing their political viewpoints and is what they are most famous for. This song touches on some of that as they discuss corporate America and government being in bed together, but before you get to that you get a clear picture of an everyday schemer making his way through life. Lyrically it's terrific and the production is just as solid.

Tuesday, March 29, 2011

Song of the Day

Edan - "Sing It Shitface"
Edan plays the prankster on this gem off 2002's excellent Primitive Plus. The album was a stripped down throwback to the old school. This track was the final song on the album and a true treat. Edan finishes the first verse with, "Instead of R&B bitches, I do my hooks with Japanese kids." So sing it scumbag!

Monday, March 28, 2011

Song of the Day

Tha Alkaholiks - "Make Room"
Had a conversation with my brother over the weekend regarding the golden age of hip-hop, which he said was '91-'95, while I argued to include '96. More on that later. But during the convo we started rattling off various songs from that time period which made me go back to my former Best of lists from the early '90's (which I will include on this site soon.) This was one from 1993 and is probably easily forgotten, which is a sin because this songs holds up as well as any other from that time period. It's the 'Liks baby, it's the 'Liks.

Sunday, March 27, 2011

Song of the Day

The Roots - "Hustla"
Off of last year's How I Got Over, I overlooked this track at first. Listened to the disc again last week and "Hustla" stands out as much as the other great tracks on the album. The hook has been stuck in my head all day. STS is really dope on this.

Saturday, March 26, 2011

Song of the Day

Aesop Rock - "Battery"
Aesop is lyrical brilliance. Labor Days is his best effort and this is one of the many highlights from the album. The horns are tremendous and Aesop is on point lyrically. Found this album at my college bookstore when it came out and my eyes lit up. Couldn't believe they had Aesop. I picked it up immediately and popped it into my discman for walk home from campus. "No Regrets" had me hitting repeat several times. But this is a gem as well.

Friday, March 25, 2011

Song of the Day

Dr. Dre - "Keep Their Heads Ringin'"
Heard another song off Detox, or potentially off Detox and I'm not enthused. Seriously, the three tracks I've heard so far are very disappointing for Dre. "I Need A Doctor" is decent, but I'm hoping he's just messing with people and then dropping another classic on us. Unfortunately, that's probably just wishful thinking. This is Dre from a time when he could do no wrong. Thank God it's Friday.

Thursday, March 24, 2011

Song of the Day

Cypress Hill - "How I Could Just Kill A Man"
I have to make a confession on this one. I couldn't stand Cypress Hill when I was a kid. B-Real's voice drove me crazy. But my brother absolutely loved them. He played Cypress Hill all the time. Then "Insane In The Brain" came out and I started to sway in the other direction. Finally, I heard "Cock The Hammer" and became a Cypress Hill fan. Years after their self-titled debut dropped, I went back to it with a better trained ear and realized how great of an album it is. Oops. This track is now on my all time classic list. And I have just about every Cypress album in my CD collection. Kids really can be dumb.

Wednesday, March 23, 2011

Song of the Day

Murs - "Everything"
Was listening to Fornever today and got me on a Murs kick. From 2008's Murs For President, this song may be my favorite Murs song ever. There are so many to choose from, but this is a powerful, uplifting song. The beat is tremendous and the sample works perfect for the hook. Go cop some Murs!

Tuesday, March 22, 2011

New Release Tuesday

The pick for this Tuesday is an easy one: Pharoahe Monch's W.A.R. Pharoahe is one of the best MCs in the game and we've waited four years for another solo offering. This one looks terrific with appearances by Phonte, Styles P., Jean Grae and Royce Da 5'9. Saw the 10-minute mini movie for "Clap" and it was really dope. Oh and Stringer Bell is on the intro.

The only question heading into the project is production, which is always the case when dealing with a great lyricist. Can the music match the MC? One can only hope.

If you're looking for even more music this week, how about Cunninlynguists' Oneirology? Heard "Hard As They Come (Act I)" featuring Freddie Gibbs and was very impressed. Album, from what I've heard, has a sound all to it's own and is definitely more introspective, grown-up hip-hop than the trash that gets heavy airplay on the radio.

Song of the Day

Skyzoo & !llmind feat. Heltah Skeltah - "The Burn Notice"
Dope collabo off Live From The Tape Deck. Love hearing Rockness Monsta. Beat bangs and all three bring it on this one.

Monday, March 21, 2011

Song of the Day

Clipse - "The Funeral"
This track was supposed to launch Clipse, but received little fanfare which led to their debut album being shelved. I remember seeing this video on Rap City and loving the song immediately. Just another example of the music industry holding back great music based on radio spins. I'd say Malice and Pusha T turned out all right though.

Sunday, March 20, 2011

Album Review: Raekwon - Shaolin vs. Wu-Tang


While most of the Wu-Tang Clan stop by for Raekwon’s latest album, Rza was a glaring omission heading into the project as he didn’t support the idea of Shaolin vs. Wu-Tang. Originally rumors circulated that Rza and Raekwon had a falling out stemming from members of the Wu not seeing eye-to-eye during the making of 2007’s 8 Diagrams. Rae has gone on record as saying there’s no beef between the two and Rza was a contributor to Raekwon’s Only Built For Cuban Linx II. So that answers that.

What remained uncertain is what a throwback Wu album would sound like without Rza production?

Right from the start, Shaolin vs. Wu-Tang takes you back to the glory days of the Wu with a classic kung-fu sample to get things started. For the most part, Rae keeps it there on his latest.

The album starts with a bang with the title track, followed by the Erick Sermon produced and Method Man assisted “Every Soldier In The Hood,” and “Silver Rings” with Rae’s partner in rhyme Ghostface Killah. Meth brings his “A”-game on “Every Soldier In The Hood,” while Raekwon declares Only Built For Cuban Linx III is in the works on “Silver Rings.”

Estelle and fellow Wu brethren Inspectah Deck assist on “Chop Chop Ninja” which finds Rae in story mode over some more kung-fu samples. Then comes “Butter Knives” the true gem of the album. Bronze Nazareth brings the best out of Rae here as he conjures up a beat that could fit on any early Wu album.

At this point in the album Rza’s absence on the boards isn’t a major issue, mostly because the likes of Bronze Nazareth, Scram Jones and Cilvarings bring beats that would make Rza proud. “Snake Pond” and “Crane Style,” although clocking in at under 4:30 combined, keep things moving along nicely.

The only real mishap comes next as Rae and Ghost are joined by Jim Jones and Kobe for “Rock N Roll.” While the appearance from Jones was the initial turnoff, it’s actually the awful hook sung by Kobe that makes the song unbearable. “Rock N Roll” has no replay value and doesn’t fit in with the rest of the album at all. It’s not just a stumble, it falls flat on its face.

Most fans have found “Rich and Black” to be a standout, but the beat and 1st verse from Nas are recycled from a previous effort. And sorry, but it’s not “Verbal Intercourse” quality. That’s probably not a fair way to judge the track, but it’s impossible not to reference when thinking of Nas-Raekwon collabos.

Meth returns for “From The Hills” and Lloyd Banks makes an appearance on “Last Trip To Scotland” but the last two notable appearances occur on “Molasses” and “Masters Of Our Fate.” The old Wu sound is again strongly represented on “Molasses” as Rae and Ghost bless the horn-heavy beat and Rick Ross stops by for his take on criminology. On “Masters Of Our Fate” Rae is joined by Black Thought who has now made terrific contributions to the last two Wu releases. Hopefully it’s a sign of things to come, because a Roots-Wu partnership would only be great for hip-hop.

With seven tracks clocking in at under 2:30, the album goes by very fast and some of the tracks could’ve brought a little more to the table. But all in all, Rae delivers again with Shaolin vs. Wu-Tang, helping Wu fans feel a sense of nostalgia without sounding stale or dated. Now how about some new Rza beats?

Final Grade: B

Song of the Day

Apathy - "East Coast Rapist"
More fire from Ap. Honkey Kong is going to be ridiculous. Samples The Breakfast Club brilliantly and Ap slays the track.

Saturday, March 19, 2011

Song of the Day

J-Live - "One For The Griot"
This is Storytelling 101 right here. No surprise from a former middle school English teacher. J-Live is super talented and All The Above is a tremendous album. "Satisfied" remains my favorite track on the disc, but this one right here is a true testament to Live's abilities.

Friday, March 18, 2011

Song of the Day

Rhymefest - "Talk My S***"
My favorite song off El Che. It was a bit of a disappointment after Blue Collar, but 'Fest can still spit. Dope video with all the graf.

Thursday, March 17, 2011

Song of the Day

House of Pain - "Jump Around"
Happy St. Patrick's Day everybody. And happy March Madness! Can't wait for a day full of college hoops. Nuthin' more to say.

Wednesday, March 16, 2011

Nate Dogg: Nobody Did It Better

Hip-Hop lost another legend today with the passing of Nate Dogg. A member of 213 along with Snoop Dogg and Warren G., Nate burst on the scene on Dr. Dre’s all-time classic The Chronic. From there, he partnered with Warren G. for the timeless “Regulate,” which is the first song that comes to mind every time the name Nate Dogg is mentioned. Over his career Nate Dogg worked with almost every big name in hip-hop including: 2Pac, 50 Cent, Dr. Dre, E-40, Eminem, Fabolous, Freeway, Mos Def, Phaorahe Monch, Jadakiss, Ludacris, Redman, The Game, and Xzibit.

“Regulate,” “Oh No,” “How Long Will They Mourn Me?” and “Till I Collapse” are among my favorite rap songs ever made. With his health problems, including a pair of strokes, Nate’s voice hadn’t been heard much over the last five years. Akon became the go-to hook guy over that span, but Nate Dogg will always be the No. 1 voice for hip-hop hooks.

Truly, nobody does it better.

Did this for Dilla & Biggie, so it’s only fitting to give you a 20 song Nate Dogg playlist:
1. “Regulate” – Warren G. & Nate Dogg
2. “Ain’t No Fun” – Snoop Dogg feat. Nate Dogg, Kurupt & Warren G.
3. “The Next Episode” – Dr. Dre feat. Snoop Dogg & Nate Dogg
4. “Till I Collapse” – Eminem feat. Nate Dogg
5. “Oh No” – Mos Def, Pharoahe Monch & Nate Dogg
6. “Skandalouz” – 2Pac feat. Nate Dogg
7. “The Set Up” – Obie Trice feat. Nate Dogg
8. “21 Questions” – 50 Cent feat. Nate Dogg
9. “Nobody Does It Better” – Nate Dogg & Warren G.
10. “Deeez Nuuuts” – Dr. Dre feat. Snoop Dogg, Daz & Nate Dogg
11. “My Name” – Xzibit feat. Eminem & Nate Dogg
12. “Never Leave Me Alone” – Nate Dogg feat. Snoop Dogg
13. “How Long Will They Mourn Me?” – Thug Life feat. Nate Dogg
14. “Why?” – Nate Dogg
15. “The Game Don’t Wait (Remix)” – Warren G. feat. Snoop Dogg, Xzibit & Nate Dogg
16. “Have A Party” – Mobb Deep feat. Nate Dogg
17. “I Got Love” - Nate Dogg
18. “Area Codes” – Ludacris feat. Nate Dogg
19. “Shake That” – Eminem feat. Nate Dogg
20. “Xxplosive” – Dr. Dre feat. Kurupt, Nate Dogg, Hittman, Six-Two

Song of the Day
Warren G. feat. Nate Dogg - "Regulate"

Tuesday, March 15, 2011

Song of the Day

Obie Trice - "Cry Now"
Always liked Trice. Cheers was tremendous, but 2nd Round's On Me didn't reach the same level. It had a few bangers, including this one. Wish he was still signed to Shady. I'd take an Obie album over Yelawolf any day of the week.

Monday, March 14, 2011

Song of the Day

Blu & Exile - "So(ul) Amazing"
Didn't have anything for Song of the Day today. Had too much other stuff going and then the beat to this joint popped into my head. Then the scratches. Made me smile. This song is just so fresh. This is what hip-hop is supposed to sound like. Blu is nice. Glad to see him get some more exposure with his guest spots on The Roots' How I Got Over.

Sunday, March 13, 2011

Album Review: Lupe Fiasco - "Lasers"


The expectations for Lupe Fiasco’s third album Lasers were lowered after his differences with Atlantic Records forced Lupe to put out an album that he was less than enthusiastic about. Anytime an artist’s heart isn’t 100% into his craft, the project will suffer. Atlantic clearly wanted more radio accessible music and Lupe simply isn’t that kind of rapper.

This isn’t Kanye, who we expect dope beats and decent rhymes from. This is an artist who is lauded for his lyrics and the way he tackles a broad range of topics. Lupe does touch on some political issues (“Words I Never Said”), as well as offers some thoughts on public education, the media (“State Run Radio”), depression (“Beautiful Lasers”) and the like, but his vision is tainted by the musical backdrop for his insights.

When it’s good, Lasers delivers exactly what we want from Lupe. “Till I Get There” is a perfect example. The keys compliment Lupe well as he discusses his struggle to become a household name. Lupe spits, “Doctor doctor please, the fame ain’t painless enough/That’s cuze you ain’t famous enough/You got a little game but your name ain’t ringing enough.”

The Skylar Grey assisted “Words I Never Said” and the Modest Mouse sampled “The Show Goes On” both teeter on the mainstream line and still deliver, particularly the former which finds Lupe calling out Obama for the violence on the Gaza Strip as well as dishonest banks that “gladly give you a loan today/So if you ever miss a payment they can take your home away.”

Unfortunately, when Lasers misses, it misses horribly. “I Don’t Wanna Care Right Now”, “Out Of My Head” and “Break The Chain” have no replay value at all. Trey Songz joins Lupe for “Out Of My Head,” for a lazy, R&B sounding love song, while MDMA is featured on “I Don’t Wanna Care Right Now” and “Break The Chain,” both of which are the worst efforts of Lupe’s career.

And that is the biggest problem here. There’s no consistency and no cohesion, which is a stark contrast from Lupe’s previous albums.

The inconsistency is evident over a three-song stretch towards the end of the album. On “State Run Radio,” Lupe addresses mainstream radio and how artists have to dumb it down to get heavy airplay. But he already discussed this on The Cool with “Dumb It Down.” The album follows with the club sounding “Break The Chain,” which is nothing more than a poor attempt at crossover and mainstream appeal. Lupe spits bland lyrics over a horrible beat, which sounds like a club or house remix rather than a hip-hop song. Lupe then comes with “All Black Everything” which is a brilliant take on what the world would look like today if racism didn’t exist and slavery never happened. Lupe is in prime form here, dropping thought provoking lines over a beat that would fit perfectly on both Food & Liquor and The Cool. And that’s exactly what’s wrong with this album. It’s a hodge-podge that leaves you nodding your head or cringing.

It’s hard to blame Lupe for this effort given the struggles with the record company, but compared to his previous efforts, this album fails mightily. All things tolled, 6 of the 12 tracks are solid, with “Till I Get There,” “All Black Everything,” and “Never Forget You” as the standouts. Hopefully album No. 4 will be all Lupe, and not the record label’s idea of what a Lupe Fiasco disc should sound like.

Final Grade: C

Song of the Day

Geto Boys - "Damn It Feels Good To Be A Gangsta"
It's Sunday. The suns out. It's starting to warm up. Got college hoops on all day. Choice between Red Stripe and Heineken. Got me thinking, "Damn it feels good to be a gangsta." Or to at least listen to this classic from Houston's own.

Saturday, March 12, 2011

Song of the Day

Big Daddy Kane - "Macula's Theory"
Kane has always been one of the illest MCs and he gets his pimp on here. Taken from Prince Paul's Prince Among Thieves, which remains one of the most slept on albums of all time. If you love hip-hop music, you have to seek this out immediately. Album plays out like a movie and is brilliant, which is no surprise for a Prince Paul project. Have no idea why this popped in my head today, but I'm glad it did.

Friday, March 11, 2011

Song of the Day

Lupe Fiasco - "Till I Get There"
Just started on Lasers and only four tracks deep so far. I can see where fans are a little put off based on "I Don't Want To Care Right Now" alone. Shit sounds like a David Guetta track or something. No thanks. But this song right here is what I want from Lupe. Looking to digest the rest of the album later today.

Thursday, March 10, 2011

Song of the Day

Raekwon feat. Method Man - "Every Soldier In The Hood"
Really feelin' Shaolin vs. Wu-Tang. This track is blessed by Erick Sermon on the beat and has a sound all to its own. Meth absolutely kills it on this. "They be calling my flow ill, but still I'm never calling in sick."

Wednesday, March 9, 2011

If Ya Don't Know, Now Ya Know

“The greatest rapper of all-time died on March 9th,” – Canibus, "2nd Round Knockout"

Whether you consider the Notorious B.I.G. the greatest rapper of all-time or you prefer Jay-Z, Nas, 2Pac, Em or perhaps Rakim, there’s no doubt Biggie is a first-ballot Hall of Famer in hip-hop terms and would or at least should be in the top 5, more likely top 3 of any hip-hop fan. Personally, 2Pac is, was and always will be my favorite rapper. But Pac doesn’t edge Biggie by much. Lyrically, I’d take Biggie any day, but 2Pac had a much more expansive catalog, therefore has more songs that are among my favorites. I’ve simply spent more years enjoying Pac’s music. But this is all about Biggie today.

14 years ago, Christopher Wallace was gunned down, taking away one of the greatest voices, lyricists and overall MCs of all-time. And we, the hip-hop fans, have suffered greatly from the loss.

Think about all the possibilities if Biggie was still alive. Collaborations with Eminem (“Dead Wrong” doesn’t count as a true collabo since it was recorded posthumously, but my God it’s tremendous), M.O.P. (how this didn’t happen anyway is beyond me), Kanye West, 50 Cent (or potentially a beef with 50 Cent), DMX, Ludacris, Game, etc., etc., etc.

Since 1997, Jay-Z has put out 9 albums. If Biggie did half of that, we’d have at least four more Biggie albums. An average of 15 tracks an album gives us at least 60 more Biggie songs, not to mention guest spots and soundtrack appearances. At that rate, Biggie’s greatest hits disc would be a 3-disc set at the very least.

Biggie is one of the greats for so many reasons. He was one of, if not the best story tellers to ever bless the mic. “I Got A Story To Tell,” “Everyday Struggle,” “N-ggaz Bleed,” and “Warning” are among the best examples.

Notorious B.I.G. also made commercial hip-hop that didn’t sell his skills short at all. “Hypnotize” was a blatant attempt at grabbing the mainstream. It succeeded on every level. It was a club banger and found constant radio rotation. But Biggie remains as lyrical as ever on it. He even says, “At my arraignment/Note for the plantiff/Your daughter’s tied up in a Brooklyn basement.” And that got played on the radio non-stop.

For Ready To Die, Biggie dropped “Juicy,” “Big Poppa” and the “One More Chance” remix all with great commercial success. But he also released one of the grittiest songs on the album in “Warning” (my favorite Biggie song of all time) in between those singles.

And no one ever stole the spotlight when doing a track with Biggie. “Flava N Ya Ear (Remix)” - Biggie owned it. “Brooklyn’s Finest” with Jay-Z - Biggie was the show stopper. “The Points” which featured everyone from Redman to Busta Rhymes to Buckshot and Bone Thugs, Biggie opened the song and easily had the most memorable verse on the whole thing. He even invited Bone Thugs onto Life After Death for “Notorious Thugs” and out did them using their rhyme style. The only other rapper I can think of that has never been outshone on a track is Eminem. And I would love to see them both at the height of their careers making songs together to see who would get the upper hand.

But what sets Biggie apart is Em has made commercial records which have flat out sucked (“We Made You” and “Just Lose It” come to mind) and Biggie hasn’t. As has Jay-Z (“Girls Best Friend”; "Money Ain't A Thang" ugh) and Nas (“Nastradamus”; "You Owe Me"). Encore was also a blemish on Em’s career, although he has made amends with Recovery. Jay-Z has released a few mediocre albums in Kingdom Come and Blueprint 2, and Nas swung for the mainstream and missed in a major way with Nastradamus. And Rakim, although one of the most influential and most quoted rappers of all time, hasn’t put out the best music over the latter stage of his career (although we all know he still has it in him. Why couldn’t Oh My God ever get finished and released?!!!)

So that leaves 2Pac. And where your allegiance lies between the two of them is your call. I can’t argue for or against either. I said before that Pac is my favorite of all-time, but it looks more like 2Pac is 1A and Biggie is 1B on my list.

I remember every Biggie video, hearing each single for the first time and rushing to Circuit City first thing on Tuesday, March 25, 1997, to get my hands on Life After Death. Quick story about that release. My friends were tipped off that someone got a case of the double-disc off a truck and was selling them at a flea market the Saturday before the album dropped. They had the album at my house and in my CD player later that night. I got to hear “Mo’ Money, Mo’ Problems” before the album even hit shelves and my buddy said at the time that the song would be a hit. Damn was he right.

Not surprisingly, Biggie’s influence remains today. Jay-Z has recited Biggie lyrics so many times I’ve lost count. And how many songs have Biggie lyrics as hooks? Put “Juicy,” “Big Poppa,” or “Hypnotize” on at any house party or club and watch people go wild.

Today’s always a sad day when thinking about all we lost with Biggie’s murder. But when you take the time to think about his music and where you were when you first heard that voice it brings a smile to your face.

And remember, “It was all a dream……”

Songs of the Day

It's March 9. Here's your Biggie playlist. I narrowed it down to 20 songs and tried to combine my favorites with some of the staples of his career. Narrowing down to 20 great Biggie tracks was unbelievably difficult.

1. Juicy
2. Hypnotize
3. Dead Wrong feat. Eminem
4. Kick In The Door
5. Warning
6. Party and Bullshit
7. Victory feat. Diddy & Busta Rhymes
8. Brooklyn's Finest feat. Jay-Z
9. Notorious Thugs feat. Bone Thugs-N-Harmony
10. Unbelievable
11. Ten Crack Commandments
12. One More Chance/Stay With Me
13. Big Poppa
14. Player's Anthem feat. Junior M.A.F.I.A.
15. Who Shot Ya?
16. Long Kiss Goodnight
17. Gimme The Loot
18. Gettin' Money feat. Junior M.A.F.I.A.
19. I Got A Story To Tell
20. Suicidal Thoughts

Tuesday, March 8, 2011

New Release Tuesday

Where to begin? This is a big day for hip-hop releases. At least, it was supposed to be. Lupe Fiasco's Lasers, Raekwon's Shaolin vs. Wu-Tang and Reks' Rhythmatic Eternal King Supreme all drop today. And while I was eager to hear all three, reviews for Lupe have been lukewarm at best. Atlantic Records watered down the album targeting a more mainstream audience and Lupe himself said he can't fully support the album. It's a damn shame, because we haven't had a new Lupe album in four years.

As for Rae, things look positive for his new one. Collaborations with Black Thought, Nas, Busta Rhymes, Lloyd Banks, Rick Ross and his Wu-brethren plus production from Erick Sermon, Alchemist, Evidence and Havoc among others set this album up for success. The only misfire I can see so far (and I haven't heard the album yet, will be picking it up this afternoon) is the collabo with Jim Jones. Ghost had Jones on his latest album as well and it was easily the worst song on the disc. I don't understand this love for Jim Jones and I never will.

As for Reks, I expect big things. All-star lineup from a production standpoint with DJ Premier, Pete Rock, Statik Selektah, Nottz, Alchemist and Hi-Tek, plus guest vocals from Styles P., Termanology, Freeway and Lil' Fame. Damn, that's a list right there. Love the first two songs I've heard off this disc, including today's Song of the Day "25th Hour" (check the post below). Really looking forward to this one.

Song of the Day

Reks - "25th Hour"
Reks' new album Rhythmatic Eternal King Supreme drops today and this is the opening track. Premier on the beat. Nas sample for the hook. Reks opens it up with, "I'm a write this here rhyme like Guru's in the passenger/Standin' on the East Coast, starin' out to Africa." Much respect due for recognizing Gangstarr and bringing back some old East Coast hip-hop. Go cop the album.

Monday, March 7, 2011

Song of the Day

Run DMC feat. Pete Rock & CL Smooth - "Down With The King"
This track dropped in '93 when the likes of Onyx, A Tribe Called Quest and Wu-Tang were dropping classics from N.Y. The Kings stepped back onto the scene to remind everyone that they still had it and brought one of the best tag teams going with them. Everything about this song is fantastic. Guest spots in the video include Redman, Onyx, Naughty By Nature, KRS-One and Easy-E!!! CL pays the ultimate respect, finishing his verse with, "Look ma, no shoe laces."

Sunday, March 6, 2011

Song of the Day

Soul Position - "No Excuse For Lovin"
Blueprint and RJD2 make a great duo and 8 Million Stories is a terrific effort. RJ's instrumentals tell a story on their own, but Blueprint is the perfect complement for RJD2 production. Could've pick a handful of songs from this album, but this one truly showcases both artists' strengths.

Saturday, March 5, 2011

30 Greatest Remixes of All Time

Contrary to popular belief, Diddy did not invent the remix. Although he did have a major impact on them. Hip-Hop artists have been offering up remixes for as long as I can remember and some of them have turned decent songs into great songs and great songs into classics. So it seems only right to honor the 30 best hip-hop remixes of all time.

For the sake of this list, we’re focused solely on songs with new verses or that have been remixed completely with new lyrics and a new beat. You won’t find remixed beats of original songs on here, otherwise Pete Rock’s remix of Public Enemy’s “Shut ‘Em Down,” DJ Premier’s remix of Big L’s “Ebonics” and Ice Cube’s “Check Yo Self” remix with “The Message” sample would find their way on this list.

So here you go:

30. “Hip-Hop (Remix)” – Joell Ortiz feat. Jadakiss & Saigon

Jada discusses the glory days of hip-hop versus today’s ring-tone raps, while Saigon steals the show discussing New York’s rap revival and his struggles as a lyrical artist. Two strong guest performances, while Joell was still making a name for himself and holds his own here.

29. “Whoa (Remix)” – Black Rob feat. Rah Digga, Lil’ Cease, G. Dep, Da Brat & Beanie Sigel
The original was an anthem when it dropped, but this remix was nice too. Good to hear Cease and you can never go wrong with Beans. At the time, liked Black Rob saying he was putting Bad Boy on his back. Just didn’t quite happen that way.

28. “Bucktown USA (Remix)” – Cocoa Brovas feat. M.O.P.
“Bucktown USA” was a nice way for the Cocoa Brovas to let people know their name changed, but their music remained intact. Two of N.Y.’s best duos come together on this one and M.O.P. did exactly what you’d expect from them; they destroyed this beat.

27. “Why? (Remix)” – Jadakiss feat. Styles P., Common, Nas & Anthony Hamilton
Like “Whoa”, a nice posse track that let others put their spin on the title. Common raps about impeaching Bush and electing Obama and calls out Britney Spears for her singing or lack thereof. Nas absolutely slays this. No surprise there.

26. “Keepin’ It Gangsta (Remix)” – Fabolous feat. Jadakiss, Styles P., Paul Cain, M.O.P.
Wasn’t a big Fabolous fan when his debut album dropped, but “Keepin’ It Gangsta” was a banger. Add 2/3 of the Lox and M.O.P. and you have the recipe for success. How come adding M.O.P. makes everything better?

25. “Ante Up (Remix)” – M.O.P. feat. Busta Rhymes, Teflon & Remy Ma
The only way to bring more heat to a remix than adding M.O.P. is taking an M.O.P. song and adding Busta Rhymes to it. The original is a classic, so this remix pales in comparison, but it’s still nice to hear Busta get wild on this beat.

24. “Simon Says (Remix)” – Pharoahe Monch feat. Lady Luck, Redman, Method Man, Shabaam Sahdeeq & Busta Rhymes
Monch remains one of the most underrated MCs in hip-hop and he was fantastic among the list of heavyweights on this track. Red, Meth and Busta delivered as expected and Shabaam looked like he was ready to bust out and shine. Still curious as to what happened to Sahdeeq.

23. “Never Scared (Remix)” – Bonecrusher feat. Cam’ron, Jadakiss and Busta Rhymes
Bonecrusher will never be listed among the lyrical greats, but this song served its purpose. Jada’s vicious on here, Busta matches Bonecrusher’s energy and Cam surprisingly steals the spotlight.

22. “The Set Up (Remix)” – Obie Trice feat. Redman, Lloyd Banks, Jadakiss & Nate Dogg
Jada had a stretch where he was on every remix, or at least it seemed that way. I’ve always been a fan of Obie and had this beat as my ringtone for years. This beat is nasty and Red just abuses it.

21. “Diamonds From Sierra Leone (Remix)” – Kanye West feat. Jay-Z
The original was fantastic and helped build the anticipation for Late Registration. Kanye delivered on his sophomore effort and included this remix with his “big brother.” Hov jumps in perfectly and makes a suitable remix.

20. “Shut ‘Em Down (Remix)” – Onyx feat. Noreaga & Big Punisher
The original had DMX who was the hottest name in hip-hop at the time. Made for the perfect combination considering the energy level those four brought. N.O.R.E. just broke out as a solo star and gets the track jumpstarted and Pun fits the track perfectly, but Sticky Fingaz MURDERS the final verse. “Sticky Fingaz, I’m still alive/That means the greatest rapper of all time ain’t never die.”

19. “Doe or Die (Remix)” – AZ feat. Raekwon
AZ’s debut was tremendous and remains slept on. He just released the 15th anniversary edition of Doe or Die in 2010. Raekwon was at the height of his career, coming off Only Built For Cuban Linx and has a great exchange with Sosa on this one.

18. “Ruff Ryders Anthem (Remix)” – DMX feat. Drag-On, LOX & Eve
The original remains a classic, so obviously this wasn’t going to live up to it. But it had X adding to the hook, which he uses when he performs it live. And it fits perfectly.

17. “I Shot Ya (Remix)” – LL Cool J feat. Keith Murray, Prodigy, Fat Joe & Foxy Brown
Prodigy was one the most highly regarded MCs during this time and it showed on this track. Unfortunately, P decided to stop rhyming his lyrics somewhere along the line. This track was also pre-“What’s Love” Joey Crack, so his style was still raw at the time. The beat is tremendous and Murray, Prodigy and Fat Joe do it justice. Foxy holds her own as well.

16. “Method Man (Remix)” – Method Man
The original version from Enter the 36 Chambers helped introduce Wu-Tang and more specifically Method Man to the masses. The remix off Meth’s debut Tical further cemented his place among hip-hop’s best.

15. “Girls, Girls, Girls (Remix)” – Jay-Z
Found on the end of Hov’s classic Blueprint as a bonus track, this Kanye-produced gem put another spin on the original. This could’ve been released as a single over the original and had as much success. Both were great.

14. “Gettin’ Money” – Junior M.A.F.I.A.
“You could be as good as the best of them/But as bad as the worst/So don’t test me/You better move over.” Biggie’s hook on this is tremendous. Sampled Dennis Edwards’ “Don’t Look Any Further” (do yourself a favor and watch Edwards’ video on Youtube RIGHT NOW – talk about classic!) which 2Pac then flipped for “Hit ‘Em Up.”

13. “Get By (Remix)” – Talib Kweli feat. Mos Def, Jay-Z, Kanye West & Busta Rhymes
Jay rhyming with Kweli and Mos Def just sounds right. A fresh newcomer named Kanye West (who also produced the track) holds his own with these heavyweights and shows glimpses of what he would later become.

12. “Quiet Storm (Remix)” – Mobb Deep feat. Lil’ Kim
The original had Prodigy spit all three verses, but Havoc weighs in on the remix as well as the Queen Bee. The beat is sick and is classic Mobb Deep.

11. “Scenario (Remix)” – A Tribe Called Quest feat. Leaders of the New School
There are those who rank this as the best remix of all-time. And while it’s great to hear ATCQ and LONS have another go at it, the original is an absolute, hands-down classic so this falls a little short. If this was the original and only version to come out, it may rank higher in my book. But remember, “Bo knows this and Bo knows that/But Bo don’t know jack, cause Bo can’t rap.” ‘Nuff said.

10. “U Don’t Know (Remix)” – Jay-Z feat. M.O.P.
The Blueprint was Jay’s magnum opus and this track was among the many highlights. The Blueprint 2 was not on the same level. Two discs had too much filler. But if one track lived up to the classic disc Hov put out in 2001, it was this remix. M.O.P. murders this track. Don’t believe me, just listen to Jigga, “Mo’ money, mo’ murder now that M.O.P.’s hired.”

9. “I Got 5 On It (Remix)” – Luniz feat. Dru Down, Richie Rich, E-40, Digital Underground & Spice-1
I think the Luniz made four different variations of this track. The original remains the best, but this remix did the original track justice. This is a group of West Coast all-stars, including an appearance from Humpty Hump. Bonus points for finishing the song with Spice-1.

8. “Made You Look (Remix)” – Nas feat. Jadakiss & Ludacris
I will be the first to admit, I was late on recognizing Ludacris’ talent. Really didn’t care for “What’s Your Fantasy” and still don’t. But sweet Lord does he kill it on this one. Paired with two lyrical giants, Luda stepped up to the plate and knocked it out the park. This beat is ridiculous.

7. “Special Delivery (Remix)” – G. Dep feat. Ghostface Killah, Keith Murray & Craig Mack
Ghost opens the track in classic form, speaking on the rhinestones in his sweater, his Tony Stark slippers and Wonder Woman arm. Dep holds his own with this line-up, Murray is the show stealer and it was refreshing to hear Mack again. And what better platform than a Bad Boy remix?

6. “I’ll Be There For You/All I Need” – Method Man feat. Mary J. Blige
The original stayed true to the grimy sound of Tical and is still one of the rawest love songs in hip-hop history. The remix offered a completely different sound. Diddy knows hits and what sells and did it with this one. Good enough to win a Grammy, yet retain the integrity of the original.

5. “Tha Crossroads” – Bone Thugs-N-Harmony
Perhaps too low on the list, but there was no song I loved more than this when it came out. It still holds up all these years later, maybe not as well as some of the others on this list, but the impact this originally made allows it to stay in the top 5. The original was completely different from this offering. Amazing video for this track as well.

4. “I Got Cha Opin” – Black Moon
It’s hard to imagine improving on anything from Enta Da Stage, but this is better than any song Black Moon’s ever released. And Enta Da Stage is a damn classic. The production on this is sums up the Beatminerz sound and Buckshot owns it in every way. I can listen to this song at any place, at any time and never, ever get tired of it. In fact, I’m taking a timeout to listen to this right now…

3. “One More Chance/Stay With Me” – The Notorious B.I.G.
As I stated above about Enta Da Stage, it’s hard to imagine improving anything from Ready To Die, but this is better than the original, hands down. This belonged on Ready To Die. Biggie could remain lyrical on radio-friendly songs better than anyone.

2. “Flava N Ya Ear (Remix)” – Craig Mack feat. Notorious B.I.G., Rampage, LL Cool J & Busta Rhymes
“Bad Boys, come out and plaaaay.” This could be No. 1 on any list and it would be almost impossible to argue. Biggie opens the song with an amazing verse and Busta lights it on fire to close out the song. The original version is an all-time classic and the remix is even better. It’s just that good.

1.“Nappy Heads (Remix)” – The Fugees
If I were to make a 20-song mix of my all-time favorites, this song would make the cut. No other song on this list would. That’s the first reason it’s No. 1. Secondly, it introduced the world to The Fugees and features one of Lauryn Hill’s nastiest verses ever. Third, the horns on this still get me excited every time I hear them. And lastly, the original was garbage. The Fugees first album for that matter was hard to stomach. If this song didn’t happen, The Score may not have ever happened and that remains one of my favorites to ever be released. And who knows about Lauryn’s career – which is now a legitimate question, but only 5 Grammys later - without the Fugees finding their way. So the real question is, “Mona Lisa, can I get a date on Friday?/And if you’re busy, I wouldn’t mind taking Saturday.”

Song of the Day

Black Milk feat. Royce 5'9" & Elzhi - "Deadly Medley"
Black Milk's Album of the Year was solid throughout, but this song was in another league. Royce destroys it as expected, Elzhi is nice and Black Milk drops, "My shit is Martin Luther/Your shit is Martin Lawrence." And the beat just knocks. Sounds like it could've come out in the mid-90's.

Friday, March 4, 2011

Song of the Day

Nice & Smooth - "No Delayin'"
A new video for an old classic? Oh yes! Nice & Smooth is one of my favorite groups ever. "Hip-Hop Junkies" and "Sometimes I Rhyme Slow" are classics, as is "No Delayin'." Big Daddy Kane cameo to start the video is a great touch as well. Enjoy this!

Thursday, March 3, 2011

Song of the Day

Eminem feat. Slaughterhouse & Yelawolf - "2.0 Boys"
Em shows off his new Shady Records family. Having Slim & Royce on a track together always brings great results, and having Joell Ortiz, Joe Budden and Crooked I join is icing on the cake. Really like Crooked on this track. As for Yelawolf, the jury is still out. My first impression after hearing him on Big Boi's album was not favorable. I've tried giving him a second chance to lukewarm results. This is the best I've heard from him, but I'm still not a fan. I'll take Em & Slaughterhouse together any day though.

Wednesday, March 2, 2011

Song of the Day

Outkast - "Player's Ball"
The song that introduced Outkast to the world. This was Andre before he became Andre 3000 and Big Boi before Daddy Fat Sacks or Sir Lucious Leftfoot. They were two teenagers from Atlanta bringing their own unique sound and this debut single hit No. 1 on the Billboard rap singles chart, where it remained for six weeks. No group has changed more over the course of their career than Outkast, and I honestly can't say they are better now than they were then or vice-versa. They have been great throughout it all and continue to grow as musicians.

Tuesday, March 1, 2011

New Release Tuesday

New CDs are released every Tuesday and for years it was my favorite day of the week. There were times I'd come home with 3 for 4 new CDs on a given Tuesday. As time has gone on and other expenses have gotten in the way, that has died down, not to mention the quality of music has dropped a bit. No, hip-hop is not dead. It's just not 1996 any more.

Anyway, here's my pick for new release Tuesday, March 1: Apollo Brown's Clouds. Loved his 2010 album The Reset and still need to get my hands on The Left's Gas Mask. This new disc is an instrumental album from Brown, much in the spirit of Dilla's Donuts. I've heard various songs he leaked from this and liked them all.

Song of the Day

Big K.R.I.T. - "If I Should Die"
Mississippi's own brought this track to Jonny Shipes’ "Good Talk v.9: Curve Your Enthusiasm Edition" mixtape last year. K.R.I.T. is one of the few up-and-comers that I've really gotten into. Produces his own music and brings some soul on this one with the sample of Marvin Gaye's "If I Should Die Tonight."

Listen to Big K.R.I.T.