2009 was an odd year. On one hand you had some of the game’s all-time greats drop new music, the return of Eminem and rising new stars like Drake, Wale and Kid Cudi among others. On the other hand, the music itself just didn’t quite click for me. I’d call it a down year, but going back and looking at some of the songs that came out, there was some really dope shit that dropped. As you can tell by this intro, it’s hard for me to pick which side of the fence I sit on in regards to 2009. So let’s just jump right into the list.
Best Songs
20. “Beautiful Decay” – Skyzoo
9th Wonder on the beat as Skyzoo does what he does best - rips the beat apart. The production is classic 9th and compliments Sky’s vocals perfectly. There’s nothing particularly special about this track, it’s just pure hip-hop and that’s never a bad thing.
19. “A-YO” – Redman & Method Man feat. Saukrates
Blackout! 2 was not on the same level as the first installment from Red and Meth, but it still had its moments. This track was one of those bright spots. Pete Rock on the production as Red and Meth spit raw lyrics and Saukrates contributes the hook.
18. “Kill Too Hard” – Inspectah Deck, U-God and Masta Ace
From the Chamber Music album, two of the most unheralded MCs from the Wu and two of my favorites (although I guess they’re all my favorites considering the entire group is fantastic) spit lyrical darts before being joined by a Hall of Famer in Masta Ace. This took me back to the early-to-mid ‘90’s hip-hop sound. And of course that made me very happy.
17. “Rockin’ That Thang (Remix)” – The-Dream feat. Fabolous, Rick Ross, Juelz Santana & Ludacris
This song is as commercial as they come. The high school version of me would’ve never stood for this. But I’ve softened my stance a little as I’ve gotten older and there’s something about this track that I’ve always liked. I saw the video on MTV Jams late one night and have been listening to it ever since.
16. “I Wish I Knew Natalie Portman” – k-Os feat. Saukrates
I have no idea what this song has to do with Natalie Portman. And it samples the keys from The O.C. But damn it’s fresh. k-Os makes some really dope music and Saukrates brings some quality lyrics to the table for this one. I love the sampled voice in the background. This is one of those songs that you can listen to over and over and never get sick of.
15. “Forever And Always” – M.O.P.
I couldn’t have been happier about having a new M.O.P. album in ’09. The group has aged a bit and don’t sound as rowdy on the disc, which was a bit disappointing for me, but this track still captures that vintage M.O.P. sound. Statik Selektah absolutely captured M.O.P.’s energy with the production on this track and of course Fame and Danze grab the beat by the neck and don’t let go.
14. “Shoot First” – Apathy feat. Celph-Titled & B-Real
Not surprised to find Ap and Celph on a track together, but adding B-Real was a great touch. Again, you get a vintage hip-hop feeling when you listen to these three rip the mic especially with B-Real on the hook. Ap showcased why he’s one of the best MC’s in hip-hop today once again, slaying the first verse to set the tone for song.
13. “House of Flying Daggers” – Raekwon feat. Inspectah Deck, Ghostface Killah & Method Man
Everyone spazzed over Only Built 4 Cuban Linx Pt. II because it reminded them of the “Purple Tape.” I’ll discuss my feeling on the album below, but if there was one track that did take me back to the first OB4CL it was this one. Dilla does his best RZA impression on the beat and it’s an all-out Wu Massacre as each MC delivers. They even bring the “Clan In The Front” hook back to life. And Deck delivers another classic verse to open the song.
12. “Make Her Say” – Kid Cudi feat. Kanye West & Common
Cudi’s debut was well received critically and by the masses. I enjoyed the album, but I didn’t go nuts over it like others did. I liked the concept and sonically there were some very unique and original sounds, but it’s not an album I can see myself going back to years down the road. This song, however, as well as “Day ‘N’ Nite” will always be in my rotation. The Lady Gaga “Pokerface” sample was perfectly done and Kanye’s verse is chock full of quotables.
11. “When She Calls” – Fashawn
I will confess that I am so late to this song that it’s not even funny. How late? I just discovered this song over the past month. So really, really late. But I’m so damn glad I did find it because it’s incredible. The first time I heard this song I was driving home from work and it just grabbed me. I will always remember hearing this song for the first time and the effect it had on me. Great concept, as Fashawn tells the same story of a heartbreak suicide through three different perspectives. Amazing lyrics and a chilling sample (taken from Joanna Newsom’s “Cosmia”) give this song its true feeling.
10. “Best I Ever Had” – Drake
Drizzy Drake made his breakthrough in ’09 and introduced himself to the masses with this ode to the ladies. Combining his singing with rapping, Drake proved himself a double threat and made an absolute banger in the meantime. This is another song that I’ll never forget hearing for the first time as I was on my way to the hospital to meet my nephew for the first time when it came on the radio. That alone will forever make this song memorable for me.
9. “Exhibit C” – Jay Electronica
Interestingly, the beat Exile concocted for Fashawn’s “When She Calls” was originally intended to go to Jay Electronica. I’m not sure anyone could’ve done a better job with it than Fashawn did, but after hearing “Exhibit C” I’m convinced Jay Electronica would’ve made a helluva song as well. “Exhibit C” is the definition of “banger.” Just Blaze brings one of his finest beats and Jay Electronica spits some of the best lyrics of the year.
8. “Chillin’” – Wale feat. Lady Gaga
The biggest thing about hip-hop in ’09 for me was singles. I can vividly remember where I was the first time I heard a lot of these songs and “Chillin’” is no different. I was watching MTV Jams late night after coming home from the bar and Wale was sitting on a stoop ready to roll out his new single featuring Lady Gaga of all people. I wanted to judge the song right then and there for having Gaga on it, but then the song kicked in and surprisingly I loved it. It’s one of those songs that I recite line for line every time it comes on.
7. “Forever” – Drake, Kanye West, Lil Wayne & Eminem
Three of the biggest names in hip-hop came together to make a club banger together and invited along a newly invigorated Eminem who proceeded to eat the beat alive. Drake, Kanye and Wayne all do a fine job, but Em murders this track and puts the other three to shame. Seriously, if there was any doubt about Em’s skills in comparison to the so-called greats of today, he put all those doubts to bed with one of the best verses in ’09.
6. “All The Above” – Maino feat. T-Pain
I’m shocked that I like this song. I really am. But I don’t just like this song, I love this song. It gets me pumped up every time I hear it. And I crank the volume up in my car every time it comes on. “I refuse to lose, this is what the ghetto done made me/I put that on my father/Tryna hope for tomorrow/When I think that I can’t, I envision Obama.” I don’t know why, but that line always gets me.
5. “Dinner Time” – Royce Da 5’9” feat. Busta Rhymes
My God this song is sick! Lyrically, Royce and Busta are absolute monsters and the way they ride this beat is fantastic. This is lyrical murder and there is no better pair than Royce and Busta to destroy this track. My only complaint was the audio quality of Royce’s Street Hop. I don’t know how or why they released the album with the audio as poor as it was, and quite frankly it pissed me off so much that I kept the album off the Top 10 list below, but even with shitty audio quality “Dinner Time” is a monster of a track.
4. “Crack A Bottle” – Eminem feat. Dr. Dre & 50 Cent
The return of Eminem had me absolutely souped and having this as the first single only heightened my excitement. I’ll discuss Relapse more below, but I couldn’t have been any happier than to hear Em back on record over a Dre banger. The only down side to this track is 50 who just sounds lazy. He fell off so badly. Still a banger though.
3. “The One” – Slaughterhouse feat. The New Royales
I remember seeing Royce, Joell Ortiz, Joe Budden and Crooked I in a magazine spread and wondering how they came up with that combination. At the time I didn’t realize they had formed a supergroup. Then I saw the video for “The One” and it all made sense. For a good portion of ’09, this was my favorite song. I used to bump this song in my car and I still love it to this day. The pop culture and rock and roll references are well done and the hook is super catchy.
2. “D.O.A. (Death of Auto-Tune)” – Jay-Z
My goodness did this track knock! The return of some hardcore hip-hop and what better voice to usher out the era of auto-tune and ringtone rap than Hov himself. No I.D. provides my favorite beat of the year and Jay absolute murders it. I love the hook where Jay says “Rewrite history without a pen,” since he doesn’t write any of his lyrics down. That still amazes me and the fact that he gets his verses done in one take is also amazing. Just more to add to the allure of one of the game’s all-time greats.
1. “Tight Rope” – Brother Ali
Conceptually and lyrically there is no better song from 2009. In fact, this is one of the best written hip-hop songs you’ll ever find. Ali tackles three verses from the eyes of teens dealing with personal issues. One verse touches on a girl being judged for her different culture and beliefs, the middle verse finds a teen dealing with the hardships of a broken home and trying to find an identity and the third verse deals with an adolescent fighting with his sexuality as he truly believes he’ll go to Hell for being a homosexual. Ali spits, “He’s got girl friends, but doesn’t want a girlfriend.” He closes the song with the following: “Cause there ain’t no flame that can blaze enough/To trump being hated for the way you love/And cry yourself to sleep and hate waking up/It’s a cold world y’all shame on us.” It’s thought provoking music that touches on some very touchy subjects. If you know anyone who doesn’t respect or understand hip-hop music, just play this song for them. If they still don’t see the value in hip-hop music after, then you’re dealing with a very close minded person. Ali does it again.
Best Albums
10. Chamber Music – Wu-Tang
Not an official Wu-Tang Clan album, but it’s members of the Wu rhyming along some of the best rappers of the ‘90’s backed by the sounds of The Revelations. Every song on the disc is dope, unfortunately there are way too many interludes sprinkled throughout. Ghostface makes the most appearances from a rhyme standpoint, while Inspectah Deck, U-God, Raekwon, and RZA all spend some time on the mic. Missing is Method Man, GZA and Masta Killa, but substituting for them is Masta Ace, AZ, Cormega, Sean Price, Havoc, M.O.P., Kool G. Rap and Sadat X. It’s a solid, quick listen.
9. Relapse – Eminem
Definitely among his worst releases, but it was still great to have a new disc from Em. He goes back to this Slim Shady persona for the majority of the album and uses that damn accent repeatedly, which gets old real quick. But it is an album full of banging beats from Dr. Dre and there are still some great moments like “3 A.M.,” “My Mom,” “Déjà vu,” “Beautiful,” “Crack A Bottle” and “Underground.” That lineup alone is better than what you’ll find on most albums, but you have to take the good with the bad, much like on Encore.
8. Slaughterhouse – Slaughterhosue
This album was an exercise in lyricism and punchlines, nothing more, nothing less. There isn’t much in terms of unique concepts or originality, but you do have to give your full attention otherwise you’ll miss a lot of great one liners. The album has a lot of nice moments like “Sound Off,” “Lyrical Murderers,” “Microphone,” “The One” and “Pray (It’s a Shame).” Again, there’s not a lot of groundbreaking music here, but it’s worth listening for the lyrical onslaught alone.
7. Wanna Snuggle? – Apathy
My least favorite Apathy album thus far, as at 21 tracks it’s got a few passable tracks and it’s not the best production Ap has had to rhyme over. That being said, it is still a solid disc with its fair share of dope songs like “Shoot First,” “I’m A Demigod,” “Thinkin’,” “Guys & Girls,” “Run, Run Away,” and “Victim.” Ap also taps some great guests for some of my favorite moments on the album. Phonte joins Ap on “True Love” as both discuss their loving relationship with hip-hop and J-Live joins the fray for “This Is The Formula” which of course is about making really, really dope music. And finally, Ap brings back Chip-Fu of Fu-Schnickens fame for “Mind Ya Business.” My only complaint there is Chip-Fu’s sole duty is the hook as I would’ve loved to hear him spit at hyper speed alongside Apathy.
6. Foundation – M.O.P.
The energy on this album doesn’t compare with Warriorz, but Lil Fame and Billy Danze still bring that grimy, street shit on this their fifth official release (8th if you count the Mash Out Posse project, as well as St. Marxmen and Ghetto Warfare both of which are compilations/mixtapes). Long time contributors Nottz, DR Period and DJ Premier provide beats on the album, but it’s the relationship with Statik Selektah that brings the best results in the form of “Crazy” featuring Termanology and “Forever & Always.” It was also fresh to hear Redman rhyme alongside M.O.P. on “Riding Through.”
5. Attention Deficit – Wale
Wale’s debut was a little uneven, but when it was on, it was really, really good. The album is chock full of guests ranging from Bun B, Gucci Mane, Jazmine Sullivan, Pharrell, Chrisette Michelle, Lady Gaga, K’nann, Marsha Ambrosius, Melanie Fiona and J. Cole. That’s a lot of guests for a 14-song debut album. There are some great concept songs on here such as “Mirrors,” “90210,” “Shades” and “Diary” but my favorite concept track is “Contemplate.” I considered putting the track on my Best Songs list instead of “Chillin’” as Syience uses a Rihanna sample to perfection and Wale discusses paranoia over his girlfriend hitting the club scene, as well as a second verse that contemplates (see what I did there) the pluses and minuses of becoming famous. It’s really well done and a must listen if you haven’t heard it before.
4. Boy Meets World – Fashawn
Again, I was really late on this album, but I’m so happy I found it. Fashawn’s debut is terrific and he has won a new fan in me. I am eagerly anticipating his next album after hearing Boy Meets World. He released the album when he was only 21-years-old and tackles a lot of grown man topics for someone so young. The production is handled entirely by Exile, which is a great thing as it provides a consistent sound for Fashawn to rhyme over. There are so many highlights on the album with my favorites being “Freedom,” “Stars,” “Life As A Shorty,” “Why,” “Samsonite Man,” “Father” and “When She Calls.” I’d love to go into more detail about each track, but this column would triple in size, so I’ll just sum it up by saying Fashawn’s debut is a must listen and one of the best debuts I’ve heard in a long time.
3. Blueprint 3 – Jay-Z
I considered putting this No. 1. Then I was going to move it to No. 4, behind Fashawn. But I think No. 3 is the right place for this album. It has some undeniable anthems (“D.O.A.”, “Run This Town,” “Empire State of Mind,” and “Young Forever”) that are as big a part of Jay’s catalog as any other. There are also moments where Jay decides to share the spotlight with some of the freshest new artists in the game in “Off That” featuring Drake, “A Star Is Born” featuring J. Cole and “Already Home” featuring Kid Cudi. The first 11 range from good to great, but it’s a three-song span that ruins the album as “Hate,” “Reminder” and “So Ambitious” are all garbage. I’d rank this album right in the middle for Jay, but I’ll always remember it for the highlights and that gives it the No. 3 ranking.
2. Only Built 4 Cuban Linx Pt. II – Raekwon
So many hailed this album as a classic and I just don’t see it. It’s a really solid album. And it’s easily Rae’s best effort since the first Cuban Linx installment. But to say it’s a sequel of equal quality to the original is just untrue. There are a lot of dope tracks on here and some great production from Dilla, RZA, Pete Rock, Marley Marl, Necro, Erick Sermon, The Alchemist, Scram Jones, Mathematics and Dr. Dre. That’s a serious list of producers right there. A few of them are among the greatest of all-time. And the guest spots from Ghostface, Meth, GZA, Inspectah Deck, Masta Killa, Busta Rhymes, Beanie Sigel, Styles P. and Jadakiss are all on point. But there is no “Ice Cream,” “Wu Gambinos,” “Verbal Intercourse,” “Incarcerated Scarfaces,” “Knuckleheadz,” “Glaciers of Ice” or “Criminology” on this album. There are a lot of 2-2:30 tracks that breeze by and don’t make a huge impact. I like this album a lot. The more I’ve listened to it, the more I’ve come to enjoy it. But to say it’s on the same level as OB4CL is absurd. It’s not a classic, I’m sorry. It’s really, really good. But it’s not a classic.
1. Us – Brother Ali
This was one of the toughest years for picking a No. 1 album, as I could’ve gone with Blueprint 3, OB4CL Pt. II or Boy Meets World in the No. 1 spot, but no album from start to finish was as solid as Us. Every song has substance and meaning. Lyrically, you won’t find a better effort and Ant’s production offers the perfect companion for Ali to weave his stories over. The first voice you hear on the album is Chuck D. and when I popped this disc in my CD player for the first time I smiled from ear to ear. Having one of my favorite MCs of all-time kick off the album of one of my favorite newer MCs was like getting a free lager to go with your steak dinner. So many great songs to talk about on this disc, so I’ll just pick a few. The first song is an absolute banger in the form of “The Preacher” as Ali has a ton of energy and spits with ferocity to kick things off. “House Keys” is a great story as Ali moves his family downstairs to a less expensive apartment only to have his former residence taken over by drug dealers. Ali then robs the apartment and sells their drugs and guns and pockets the cash he found. I discussed “Tight Rope” above, but I’ll reiterate that you need to hear that track if you haven’t already. And then there’s “Fresh Air” which finds Ali expressing his love for his life and his family. He spits, “Not two years ago I was homeless, I mean crashin’ on the couch of my homies/Now I’m crashin’ on the couch with Conan, signed a mortgage and bought my home, shit/Should of seen when they handed me the keys, I still couldn’t believe it was mine/Like, ‘Baby hurry up, let’s leave before these damn people change their mind.’” It’s real life rap that Ali spits the best and anyone can relate to it. Album of the year became a lot easier to pick after going back and listening to all these excellent stories that Ali brought to life.
That’ll do it for 2009. Only one more year left before we’re caught up to date. There was a ton of music that dropped in 2010, so I’m sure that list will take some serious thought and consideration, but I’m already looking forward to relistening to the albums!
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